You want to make something immortal?
Then grab the knife, not the brush,
let the canvas scream crimson,
let the gallery lights flicker
like a failing heartbeat.
No more soft metaphors,
no tasteful still lifes,
just the wet truth of the blade,
the way it parts flesh
like a critic’s tongue
dissecting a lie.
Art is too polite.
It begs for approval,
wears its pedigree
like a gilded collar.
But violence? Violence is honest.
A slash doesn’t apologize.
A wound doesn’t ask
if it’s avant-garde enough.
So ruin it.
Ruin all of it.
Let the paint run
like a gutted confession,
let the frames splinter
into kindling.
When they ask why,
bare your teeth and say:
Because beauty should hurt
or it isn’t real.
Because I’d rather be a wound
than a whisper.
Now watch the critics flinch
as the blood dries
into something
they’ll call genius tomorrow.