might have dug
the humor in naming
an insect after
Lady Gaga—
Nicaraguan
treehoppers
two horns jutting
from the shoulders
wack fashion sense
vibrant singers—
would have instantly
unpacked metaphoric
relationships between
stealing another’s cukes
and colonialism,
or recognized that
urban heat islands
and currency exchanges
lead back to capitalism,
after all, both cut
from the same vapid cloth,
the invariable vegetation
of vaccine hesitancy
and gospel truths.
Leoš might have hooked
up with a Moravian Fraulein
just to luxuriate on folktales
based on a bulldog
named Crowbar that barfed
cold turkey from daily jaunts
with its owner to some Brno
tavern, warm beer as stackable
as silver, the inebriated
wit seated down counter
as indivisible and untidy
as an odd integer peering
into a timepiece, and
wizened barflies dreaming
aloud about a future
a century hence
with insects whose children
slowly ransack ash trees
along the boulevard,
newcomers to the game.