ELEGY Poem: My Car My Gun, by John Paul Arnault

Part of me will always be
Left in my car from that night
It ran so long that it was morning
We could’ve talked for another twenty four
And not ran out of things to discuss
Never before had I felt a connection like this
This or that, I guess may be more correct
The stick of gum ran out of flavor
Less than an hour into us
I didn’t mind though
You preoccupied my subconscious
No one can ever sit passenger
And not remind me of you
Burned into the seat like scar tissue

ELEGY Poem: Jimmy Bell Rings The Bell, by Rebekah Bell

You make me think.
What kind of person
people are when
they’re not alive-
in the body,
when blood evaporates
and eyes can’t substitute a mouth’s smile.

I can’t make any
interpretations of you,
and it’s pretty upsetting.
I’d like to stare into
your eyes
and spend at least one
thanksgiving dinner with you.

I’d like to read Bible passages
with you, as you teach me.
The same teachings you
taught my older brother, Jacob.
The ones that made him weep
as a man.

Did you weep?
Did you lose your oxygen to where you had to yawn in stress?
Did I inherit that from you?
Did you kill a person when you were alive?
Ever shot a gun?
Did you ever cheat? On a test, on your wife, gambling, in death?
What was your favorite word?
What was your favorite type of cloud?

Who were you
that made family stories so memorable.
You sound so noble
and wholesome. A memory with
loss.
Who were you that makes
me believe that I’d like you.
I don’t even like my
parents, but you raised
one of them.
A grandpa, a friend.
A person I’ve never met and will never know.

Nevertheless, a person I love.
With no meeting
besides a hospital visit
and a funeral arrangement,
you’ve changed my life.
In death.

You’ve done more for me
than anyone who’s living ever has,
while never crossing the border
of eternity
to
get to me.

You’ve done more for me
than my last name
will ever provide for me.
So, I’ll ring the Army Bell
you left hanging on the wall
in your home. The house grandma
survives in.

I ring it till my ears
run in red.
My cardiovascular system feeling stuck
like yours did.
My grandpa- a commander of the living
and commanded by God.
To come back to him
earlier than us humans
wanted him to.

He never rang the bell
on Earth. Jimmy was humble enough.
But I always hope that
he got to ring a bell in Heaven.
Humble to meet the Lord our God.
With the same direction he projected
when others were called.

He was called and he’s helping to call.

Ring. Ring. Ring.

ELEGY Poem: DEATH AND LIFE, by Nicole Antillon

Death came for Life,
but when it saw how beautifully Life flowed,
it stopped in its tracks.

Death became obsessed, a silent admirer,
while Life never noticed its presence.
Life just lived, loved, experienced.
Life held no fear,
Life simply was.

Death envied Life’s delusions,
for Death was bound by certainties,
while Life wandered free,
lost in illusions.

One day, Life felt Death’s breath
and trembled in fear.
But as Death drew near,
Life surrendered,
let Death in,
and held its memories close.

Death fell in love with Life,
and Life embraced Death.
Together, they created beauty and meaning.

Death was not to be feared,
and Life was meant to be celebrated.
Without Life, Death did not wound.
Without Death, Life had no purpose.

In one brief moment,
they coexisted—
embracing for the first and last time,
when Death collided with Life,
and Life felt fine

ELEGY Poem: Blackwing, by Julia Love

The shadowbird flies highest on the moonless nights (and there are seeds in my palms)
It gives the appearance of a passing cloud, as there are stars no more (but I am my own land)
Who could have predicted its fragile wings? (devastation came)
The bird is a contradiction (I was not ready)
Hollow bones (I was not ready)
Sharp beak (I am not ready)
Dark eyes (I am not ready)
Fearful (I am not ready)
and (I am not ready)
Pleading (Please)
Does it need to be held? (Please)
Or killed? (Please)
A danger (It cannot be real)
A friend (Deep breaths)
A living being (Not again. Not anymore)
This grief can fly (That one cursed phone call)
But it won’t. ()

CRIME Poem: NOIR LIMERICKS, by Gary Zenker Walter Lawn

She was caught with a gun in her hand.
The guy had bled out in the sand.
“It’s not me,” she exclaimed.
It’s another she blamed.
“The Beach Butler has done it again.”

There once was a man from Nantucket
Whose pump failed – with an ice pick she’d stuck it.
She’d snuck up in disguise . . .
But the biggest surprise?
A clean limerick – now you can go suck it.

’Twas a dark stormy night in Sin City.
At the end of the bar, she looked pretty.
Her gat did him in
Ere he’d finished his gin.
His tab was paid up, more’s the pity.

CRIME Poem: Smile, by L. Evelyn

She said it hurts to smile,
Enamel weaker than her spine,
Having been stepped on
As she slept on
Park bench after park bench
With sparkling new segregated silver lines
That politicians melted down from her very own rain clouds.

She told me misery is heavy, like the air of a storm, and it
Shrouds
That her hoodie bears the brunt of
Blunt force trauma,
Covers her blunt, force, and trauma.

But she said,
“Drawstrings look like
A noose in the dark,
The same way a candy bar
Looks like a gun.”
She doesn’t carry either.

“To be honest,
The president must still envy my spine.
Even if it’s broken,
It’s mine—
To remove
And crack like a whip
Or tie around my neck.
Same difference in the end.
Fragile things
That last till after death,
Eroding with each sip of lemonade from the lemons they gave.”
Still, she smiles.

CRIME Poem: True Crime, by Deborah Harada

So many times the body is found
because water tumbles over stairs,
along furtive hallways, across creaking
thresholds to slide headlong down the slope
of the driveway and onto the blacktop
street where it tidies itself into a message
people wade through wade through wade
through on their way to work church school
the market, hoping to ignore the insidious
damp soaking their sneakers, seeping into
their socks, squishing between their toes
beckoning them to follow the swirling
rush that started as a trickle, that started
as a slap of an argument, grew into rage
with hands teeth broken glass until
a stranger sister friend can’t help but
flex their feet in the sog of shoes, slosh
up the driveway, over the threshold,
undeterred by the small flood eddying
down the hall to shoulder past resistance
and pressure on the bathroom door and
discover her, still afloat in the spit and spill of
no more never again you made me do it
while her limp hands and hair rise
at water’s command and the spout runs
like a mouth without mercy filling her lungs,
bloating her cells until the spigot is switched off
and the water drains, leaving us crying
drowning really in the message
that we are always always too late.

CRIME Poem: The Vanitha Thief, by Jana Tvorogova

Oh, what a lucky day!
A student’s briefcase fell
into her hands
with several credit cards
How yummy yummy
yummy
They will take it, gut it
with their thieving fingers
Inspect it maybe
Nobody needs it anyway
How tasty tasty
Three credit cards
They will not use them immediately
but put them in their thieving pockets
What lucky pockets!
And leave town

Vanitha means desired
means loved woman
Vanitha is the supermarket
where they will try out
three credit cards

Vanitha 02
Is loved loved loved by three stolen credit cards
Vanitha 02
Is loved loved loved from 23h03-23h04

CRIME Poem: The Anatomy of a Love Heist, by Austin TJ

Midnight stains the windowsill, a shadow licks the floor—
She whispers love like counterfeit bills slipped beneath the door.
Her kiss, a loaded pistol pressed to my collarbone,
A heist of trust, the safecracked heart we’d sworn to leave alone.

Lipstick smears on bourbon glass, a ledger of her lies,
The locket in her pocket hums with someone else’s eyes.
I trace the cracks in her alibi, the bloodstains in the thread,
While sirens weave through silence, stitching futures to the dead.

“Darling,” she croons, “the jury’s blind—they’ll never see the knife.
We’ll bury truth where roses choke, and call it second life.”
But moonlight spills her fingerprints on every vow we broke,
A cyanide confession in the smoke of her last smoke.

The clock strikes guilt. A shot rings cold. The walls bleed neon blame.
Her ghost now wears the wedding band she melted down to flame.
They’ll find the cracks we papered with the skin of borrowed names,
But never how her laughter hangs, a noose without a frame.

CRIME Poem: Down the Stairs, by Colin Sellers

There’s a man with bright blue eyes falling down the subway stairs tonight. He was bleeding before the fall, but it’s going to be worse after. He’s not going to get up. He’s going to lay there till he dies. He’s going to moan and cry and people are going to walk by like they don’t see him. He’s going to die bleeding and screaming and being ignored by the only people who could help him, which is how he’s lived his whole life up to now. But that screaming man with his blue eyes is happier in his final second than any of the people passing him by. Because that man has a secret. And if anyone stopped to help him, the scissors in his pocket would go into their temple. And I think the people passing know that on some level. And that makes him happy. Maybe the world isn’t so bad after all.