LGBTQ+ Poem: Bareback, by Luis Lopez-Maldonado

Bitch.
Dear bitch,

Writing a letter
To you is like
Writing a letter to the
Dead, rancheras y corridos de narcos
Blast behind me, & in the garage
My red Jeep roars w/ frustration menstruation penetration
& I still cum back fingering my Android waiting for your reply,
But who the hell knows where your ass is, where you bleed as you are torn open
Like an orange for tongues to devour you, bitch, this much is true:
To me, you are the beaming moon the fluttering monarcas
Who migrate towards the sun towards nirvana,
To me, you are a pink piñata filled w/ sweets
Egg & nopalitos wrapped in a flour tortilla,
To me, you see, you aren’t invisible
Ask me anything & I will
Answer: Above the ceiling
The sound of 100
Black wings, sing.

Dear love,
Amor.

LGBTQ+ Poem: Untitled: A loss for words, by Lareina Yuan

i. three years ago
[a disaster ignited at my fingertips]
the remnants, a trail of winding footprints in snow
each step growing farther farther still
straying from a past that never met its future
Time dwelled beneath a tree that withered
dissected by the cold-averse, transformed into flames

ii. four years ago
quarrels echoed in the Alps for two harsh fortnights
you & me – strangers wandering market stalls
lost from one another
with jangling postcard boxes from last century
birthstones/ butterfly specimens/ & all words that fell short
sleds flying through mud: cold air & hyperventilation
passion stretched across latitudes & longitudes
until, upon arrival, turned to only a dwarf star lit
[diffusion: net movement of particles from an area of high concentration to an area of lower concentration]
will the bell toll for the hearts?
will the waves of my mind stir your tempest?
will barren land turn over?
and lift my scarlet, creviced scabs
then rub in salt and sand

iii. five years ago
one brief encounter, three hours long
five breaths of secondhand smoke
wonton soup spilled on my Uniqlo flannel
our eyes twinkle with fireflies in Helsinki’s aurora glows
darkness often prevailed upon us, dear
but now, our arms fold up and knees buckle
softening Love’s weight, dulling Hate’s blades
but now, people and their literatures call this {ephemera}

iv. Doppelgänger
[you, are every natural disaster caused by the sins from my hands of greed]
Run my Pacifics ablaze
Wrap my insecurities in regrets’ hurricane
Drop down hailstorms on me like cavalry
on my lashes, chopping my boundaries
the quick souls always come unanchored and free
so I try to keep up and sprint. faster, faster
charging forward through my shattered wine bottles
left in your long-abandoned garage fridge on sale for five years
forgetting the pomegranate and its seeds, rotting in it too
forgetting the self-done piercings of each other
the blood trinkling a little down my joints
[Back to reality]
I imagine burning a hole through you by sight. watching you wash your palms, fingertips, front & back,
again & again, rubbing with soap that slips from your grasp, rinsing with pure water at a precise 45
Celsius, over & over, over & over. two arms dancing the waltz. on a trail of matcha green beanbags, our
shadows blurred. Hey, I wish your ears get inflamed and catch you unawares in your midnight slumbers.
See them with my vision attacking your dreams. Them like those shrunk, disheveled violets, nourishing
my stagnant mires.

v. th[(W)e]y are the widows who never won the race of winter solstice.

LGBTQ+ Poem: Wildflower Wine, by Cassie Frisbie

Thinking back to nights of vodka, fairy lights and lighting your cigarette
And wondering if that last drag was the closest to your lips I’d ever get
You were gunpowder smoke, and yet you leapt away so lightly
To put out the flames of fellow men. Maybe I should have followed you
But I wait at home politely, as I always do, though your sweet fire excites me.
Deep in diatribe and wildflower wine your eyes met mine,
The first time that I loved the color green since seventeen.
We lay on our backs looking for the big dipper, you turned to me.
I stole a glance but couldn’t bear to share your smile.
I think of you each time my flannel hits the floor,
And as I stare into a warmer, kinder, deeper green than yours I wonder
Was it love I had for you, for who I could have been? Or something more?

I’ve proven to myself that I can live with such devotion,
And adore a wildflower across Ozarks and cross oceans.
Even after Amtraks carry beating hearts away
I cannot have a lover who I cannot ask to stay.
I think your cigarette lit one last fiery breath in me
To live my life in earnest, and to love deliberately.
Our souls are not the same, though yours is partial, so is mine.
I couldn’t give my garden for your wildfires and wine.
I couldn’t give my garden for your wildflower wine.

LGBTQ+ Poem: Ann Sathers, Boystown, Chicago, 1997, by Lee Erickson

I rise early on a winter Saturday,
alone, the Red Line rattles north.
Last Thursday’s storm lingers—
snow clinging to curbs like an old regret,
ice glazing the sidewalks in brittle lace.

Ann Sather’s hums with warmth,
a golden refuge at the edge of Belmont’s frost.
Inside, the air is thick with cinnamon, coffee, voices
folded into each other like secret notes.
I lift a finger—
Gunther, tight white T-shirt, knowing smirk,
“Twenty minutes for a table… or the counter?”
A flicker, a wink—
or just something in his eye.

I shed my coat, scarf, gloves—
tuck them neatly, as my father taught me.
“We can’t afford to keep replacing them,”
he used to say.
And yet, I am always losing things.

I settle onto the stool,
jacket cushioning cold metal.

Across the room, near the window,
an older man—gray-haired, broad-shouldered—
sits alone, eating slowly.

There’s a quiet ease about him,
the kind that comes from knowing himself.
No book, no newspaper, no phone.
Just coffee, eggs, a steady gaze on the street outside.

My father could never have done this.
To sit alone in a café,
to take up space without apology,
to be at home in himself.

And yet—
this man, with no performance, no effort—
exudes a strength I have never known.
I wonder if he has always been this way,
or if, once, he too rehearsed conversations
he was too afraid to have.

When I turn back around, I see him—
a man, too beautiful to be standing in front of me,
black hair sculpted by effort or fate,
a pot of coffee in his hand.
A name tag: Dylan.

“Anything look good to you?”
Coffee spills, dark and steady, steam curling upward.
“It all looks delicious,” I said.
“Not the first time I’ve heard that.”
A wink, deliberate.

I flush. Stammer.
“I’m new… Just moved…”
“Hope we see more of you,”
he says, pivoting away.

My breath catches, a tremor in my chest—
not panic, but something close.
Surely, just kindness for a tip.

Dylan returns.
A Western omelet, one pancake,
juice to chase the coffee.
“Smart choice. Can’t ruin that cute figure.”
I glance sideways—
a couple locked in a battle over Chicago politics,
an old man moaning softly into his waffle.
No one else. Just me.

I pretend to read a left-behind paper,
a story of a South Side food shelf
offering hope beyond hunger.
But my gaze drifts—
to Dylan, to the others,
a silent ballet of white T-shirts,
sinewy arms weaving, hands brushing, laughter rising.

They move like currents, effortless, unthinking,
a language I do not yet know.

I am gay. I know this.
I have not said it.
I fear losing family, friends, home.
I fear it irrationally, but fully.
And yet—
in this restaurant, I feel closer to something.

The omelet arrives,
a bottle of ketchup offered like a secret.
I shake my head, smiling.
“Wow, you do smile.”
He grins.
“You should do that more often.”

Again, the flush.
I eat quickly, aware,
too aware, of being seen.

“Anything else?”
“Just the check. Food was… great.”

A pause.
“Hope we see you again… soon.”
That word, soon,
hanging like a note still trembling in the air.

At the register, Gunther smirks,
“Everything okay, sir?”
“Delicious. Great. Great and delicious.”
The words tumble over themselves.
He holds my card a moment longer than needed.
“Come back. Really.” A wink—real this time.

The check, folded.
A note, tucked beneath.
Dylan. A phone number.

A slip of paper, almost weightless, almost burning.
I glance back—his eyes meet mine,
a flicker of something before he turns away.

Outside, the cold bites,
but I walk lighter,
his name in my pocket,
a quiet ember against my palm.

I will tuck it away, press it between fingers,
rehearse calls I will not make,
sentences I will not say—
not yet.

Riding the train, a public service announcement
above the seat across from me
urges gay men to get tested for HIV.
The man in the photo looks so happy.

I pull out my gloves.
My father’s voice fades, distant now.

The pattern is fraying, stitch by hesitant stitch.
Somewhere in the city’s din,
in the flurry of heartbeats,
I can almost hear my own.

LGBTQ+ Poem: I’m Thinking of a Queer // 20 Questions, by Grady Boris

I am thinking of a queer, not just any of the femme men
not the ones who flaunt it all, the ones who keep one foot
in and one out, the closet having a glass door

1- does that mean it’s me?

I am thinking of a queer, who’s roommate kissing, passing-
-partner-ish persuasions lead to a life as a double agent

2- does this person ever live one life?

I am thinking of this person, summoning their supple lips
and masculine hips, a person that can’t make up their damn
mind

3- is a hetero-norm spy an exhilarating existence?

I am thinking of the men’s in dresses, the women’s painted beard
of drag, all but the cigarette similar word missing from their tags

4- is the closet a tomb or an amphitheater for this one?

I am thinking of a person, many people, no people
the ones where the labels draw the borders, offer an
order that’s legible and legitimate

5- is it legal?

I am thinking, thinking too much perhaps, do the thoughts
become overwrought with ideas of brilliance, delusions of
grandeur, of utopic paradise where all fit in boxes and no-
-body stretches over the line, out of the catch-all contraptions

6 – 7 – is utopia the only way forward? Eugenics-esque imagery?

I am thinking of this person, back from some to one, from many
to none

8 – must you speak in riddles to describe this person?

I see this person all the time, seeing their mind’s eye opening
as the pencil hits the page, fingers around brass, brush canvas

9 – 10 – 11 – Shakespeare? Louis Armstrong? Frida Kahlo?

No, no, and no. I am thinking of an artist by passion not pro-
-fession, confessing this love of humanities in the confines of
their own home

12 – how can I guess if there’s no one to fit yes?

There is an answer, follow closely. I am thinking again of a person
comprised of parts that make them whole, parts and cogs and gears
turning to make it all work.

13 – is this man metal or this metal man?

This person is a man, AMAB, he/they, they/them,
tight roping across the trouble of gender but stuck in
perpetual tension, seeing the view from between

14- is this a man?

They wish to walk away from their start, to find
what their heart saunters towards, in and out of
here and there, here and now, now and then, then
it’s them

15- is this person trans?

They long for no longer man, but not for
femme, stuck on this rope we will call Claire’s
bridge between genders, though bridge too gen-
-erous a term for this thin line

16- is this person non-binary or questioning?
Questioning is everyone, everyone is questioning
questions is what got us to this question, only leading
to continuous confusion and a pandora’s box of pandering
possibilities

17- are they queer or making a mockery of it all?

No mockery is made of this person, wishing for people to come
together, conjoin, conjugate into a one of many sums

18- Is this person thinking they are more than one?

They do not think so, they wish so, know so
would be easier instead of having to throw
these different parts into different boxes for
different folks, different rooms, different lines
to be walked, over, and back, never resting on the
line of limbo where they want to be

19- Is this person safe?

Safety is an illusion, an illusion of safety is the box
boxes upon boxes meant to make a prison cell seem
inviting, luring the person to within its walls and closing
the lid, only opening once a part has been taken as prize

20- Is this ever going to end?

LIFE Poem: Voicing the Unfading, by Gerburg Garmann

Ah, friend, let me speak of the unfading, the truth women carry, not as prophecy, but as witness, bone-deep and soul-worn.

I

If women were to speak, not of what might be, but of what is, they would tell you this: the body, isn’t a still pond. It’s a restless grammar, a syntax turned and twisted thrice, daily wrought, like iron in the fire. Not silk, but fleshy revolutions, held by mercury skin.

In those lucid fissures, where the mind flickers against the encroaching night, we seek starlight’s sutures, moon-silk weaving the fractured gaps. We know the neural pathways, those ancient quilts, forever needing mending:

Re-wiring, re-routing, resisting against the heart’s static. Through the held breath, and its release. This is the silent labor of survival, our holy unyielding task, the women’s work.

II

Alas, the fevered room, where dim candles bloom, those toxic flowers in power’s thicket. We are dragged down, willingly or not, into their cosmic un-naming’s undertow. But we claw our way back, through language’s hollow spirals, past jellyfish, bell-like, their translucent skins bearing the sea’s weight, water’s un-hardened truth. Our syntax, a defiant circle, thrice blessed.

People ask us for an ode to time’s passages? Really? That’s like catching smoke in a butterfly net, or willing the monstrous to collapse, self-devour. Yet, we try, we always try. We pluck the burrs, those spidery letters from the soul’s attic, a necessary violence against isolation’s thorns.

III

The fractured mirror reflects multiplicity, not self; it’s self-evident. Cassandra’s echo, a truth unwanted. Semele, god-fire consumed, by surprise. Juliet, trapped, love’s amplified tragedy. A mirror releases women, always women, their rich stories spilling out like water from a breached dam before it is fixed again.

Yet, Scheherazade, who spun space from absence, escaped the certainty of ever-night. The scent of myrrh, a lingering promise, healing spun from the void with its own laws of renewal. Look over here: on this moss-covered stone, the earth is cool beneath us, the night’s a living breath. And there, a group of phosphorescent mushrooms: a warm bloom, a valiant light in the deepening darkness.

Not all brilliance is extinguished, no, not ever. We persist, if only as doves on borrowed branches, we bloom, we shine, we are.

We are the unfading.

LIFE Poem: The Screenlight, by Alexandra Shandrenko

The glow of the monitor paints my face,
a cold blue hue, neither day nor night.
Emails pile like unsaid words,
notifications pulse like a second heartbeat.

Keystrokes replace conversation,
code lines stretch longer than thoughts.
Deadlines blur into each other,
weekdays and weekends lose their edges.

A coffee cup, half-forgotten,
grows cold beside a blinking cursor.
Somewhere beyond the firewall,
the world hums in a language I no longer speak.

But here, in this digital quiet,
I chase meaning in spreadsheets and syntax,
wondering if the next project, the next call,
will make me feel like more than just an echo.

LIFE Poem: The Bear and Me, by Lauren McElhinney

A warm breeze brushes my sleeveless arms
Outside the convenient store is near silent tonight
A smooth Montana night with an orange sky
I sit on the bench, smelling sweet grass and hearing water crash

Rustling from my left and trees parting a path
She exits the wood and studies me
I study her, frozen in my seat
She studies me, unalarmed and easy

She gingerly walks toward the seating to my left
On the other side of the store door
She sits on her bottom eyeing my ice cream sandwich
I split the ice cream cookie in half with shaky fingers

I hold it before her
She leans over and I feel her hot breath smell me
She licks the drops of ice cream with her giant tongue
Taking her half into her claws

I forget myself
I should be afraid
Big, brown, furry
Sweaty, hot, with my life in her hands

We look around, hidden beneath the store awning
Looking out at them
Red hats, stars and stripes, holsters, beards
Trucks, cigarettes, red faces, and dirty nails

She huffs hot air from her nostrils
I do too
She looks into my eyes, and mine into hers
I smile with no teeth, she does it back

We stare at each other
Her face, beautiful, feminine, timid
Tired, hurt, surviving
I feel that way too

It feels like forever, this staring
I feel a warm tear slide down my face
I feel the melting ice cream slide to my elbow
I love her, and she loves me

I know her, and she knows me
A tear from her as well
We laugh
And laugh and laugh

She understands me, and I, her
We are unharming to each other
For who could be afraid of such a thing
When so much worse is right there

LIFE Poem: Star Sun Moon Storm, by Richard Eric Johnson

share me your song story
toss me your thoughts
parade the neon night
stroll the sunlit day
umbrella or not
the rain shall fall
shout laugh cry
muse pray
sing some more
shout cry more
yesterday’s pictures
tomorrow’s schemes
we can’t let up
sleep is a prescription
life is our description
I’m old now
memories exist
in fading circumstances
faces kind of remain
without names
so help me God
I do remember you

LIFE Poem: The problems we have as people and (then) friends, by Jess Pittendreigh

1. i) like to wake up without an alarm; to let sleep sigh out of me at whatever time my body wishes to rise. it feels like a small gift to myself, like stroking down my own hair or showering.

2. you) say waking up at whatever-the-fuck o’clock is unproductive and not self-help and means i leave dishes in the sink longer than you want them to be there.

3. i) ask if you just hate that it proves i’m there—a fact.

(we) both sleep better ignoring that- though sleep is not an issue for me, you tell me. (2.2)

3.2. you) say it’s not anything to do with that; that dishes don’t have to mean everything, that everything ends eventually. that it’s not about the dishes but the fact that i can’t seem to do anything anymore. you) flip on the tap to make a point. hard.
3.3. i) intake sharply, flinching though you stay well away from me.

you) apologise, eyes turned down to scour the linen tiles. you scuff the corner rising up by the bottom of the dishwasher—another failure on my part.

i) know you want to tell me i should have left things longer—let things sit. you) don’t say anything. i) see the disdain in your flushed cheeks

i) ask what your plans for the day are. i) do not ask why i wasn’t invited, but you— interrupt anyway, to say it’s with a friend that you know i won’t like.

9. i) ask why you think you know that
9.1. you) tell me we’re just different people.
9.2. i) wonder how you could like two people so different from one another.
9.3. i) wonder when you stopped liking me, and the thought crawls like a cat up my back. i) wrap my cardigan around my shoulders.

10. you) tell me you can’t afford to put the heating on; that it’s selfish to make you feel bad for never heating cold bones. that humans are animals, and that animals adapt to their environments when they stay there long enough.
10.1. you) look at my unwashed hair and grey teeth. something in my expression causes you
to hesitate—a cold word dancing on the edge of your tongue.
the dishwasher rattles us out of silence, and you) jump back.

“fucking thing!” you) exclaim, turning to me.

11. i) remember that i never called the landlord to get it fixed. that you told me it kept you up at night, and that we don’t all feel good wasting precious days away. you) don’t tell me that you don’t recognise me, but i) see it hidden in the hood of your eyes; something tinged with indifference. it turns my tongue limp in my mouth.
you) walk out of the room and don’t look back.

i) leave the dishes in the sink and let you hate me for it.

i) smile with hollow bones as you) rise hungrily, finger spread to catch the last summer light