ENVIRONMENTAL Poetry: THE WAY WE REMEMBER TOMORROW, by Debra Rymer

From this future membrane
window I’ve launched a drone
to dispatch a noisy insect. Actually,
I said destroy but everyone knows drones
won’t kill, only deliver. As if we forgot
they used to be weapons. These days,
even whining flies get taxied, then deposited
on the straggly clump passing for canopy
and signaling the last stop: Behold!
The reclamation pod: last stop of the living,
or first stop of the dead, democratically
inviting poets and flies alike
to become nothing then something
reordered and new.

In this version of the future, we actually listened
to the engineers and the experts just enough
to have reinforced the thinning bridge
above oblivion where our machines
built a hive to keep us tucked safe
inside. Outside is occupied
only by machines, insects and drones. Some defiant
fauna. Our artificial Hermes have full charge.
Do they hum? Whirr? No one living knows.

We resent their liberty. Envy their purpose.
Oh to fly in the radiance unsinged!
Machines adapt their shapes to more exactly
fit specific tasks. No one alive can know for sure.
We guess at unseen factories attending
unguarded docks stacked with multicolored crates.

One creation myth attributes
colors to a distant human, a decider, who commanded
changes in the palette every three months from when we
had seasons. Oh this was way
way back when people designed everything,
even machines, and back when people decided
everything for everybody and not
everybody survived it.

Another myth says the seasons are still there
just invisible to all but the faithful,
assuring us that the invisible, if indefinite,
remains plausible. We can’t see them but know
there must be hundreds of unique machines

making, packaging, gathering information, occasionally
data leaking our secrets because machines will gossip
but never apologize nor forget, just ardently collect
us scrap by scrap without explanation.
Perhaps for some future book telling all that’s left
of a world we’ve barely seen. Some
waited for a book release but eventually we knew
it’s not for us.
It’s for after us.

Watching them, I’ve also wondered
If our machines categorize us as garden?
Or weeds. Do they prefer round numbered
flavored data or favor armored
parcels for their insectish texture?
Once they could have ranked us
by income or efficiency. Now we are weighed
against the sagging sentiment in our mail.

How much longer will they oblige
our passionate insistence we would
surely have done better
if only we’d known. Alas! We were duped!
Somebody said the guy at the wheel could
drive: turns out he’d relied on chauffeurs
but it never came up before he
made it to the final round. He stole off in a rocket
in the middle of the night. That was the last
we heard.

Now only drones and insects go. The rest
of us shrunk to fit vacuum-packed lives. Two
windows, two sinks, two lights, one bed—two
occupants enclosed by amber walls that thin to
to clear. One window for each occupant ,
whether waking or sleeping or
comatose with watching. Some of us write.

Outside, second shift drones
deliver fresh stationary before they unfurl
nets broad enough to sift charge from the sky.

Our daily season begins with first charge
suspended between
optimism and waning resolve.
Machines repair and operate the hive,
performing human tasks now
alien to memory.

All of us watch, but some
build a cult of conspiracy, recording drone
trails for evidence of their ineffable plans.
At least, machines will not build guns.

We know. We tried. Definitely we ordered
swords but received farming implements.
One guy protested, “they’re mocking us,”
but it didn’t catch on because no one
else believed machines can laugh, so
probably just a glitch. Next time let’s try
binoculars. See what we get.

Meanwhile, first shift drones wait until assigned.
Are they summoned by serial number or do they all
have names these days?
The first season is shopping.
What to order? There was something.
Tooth? Thumb? Search essentials. Scan
purchase history, but nothing.
It is coming to me. Dig something. Dig
nity, was it? Rare now, but once more common
back when we still walked roads we built and
ate plants we grew right out of dirt. Back
when we created and destroyed with the same hands.
It was surely dignity that propped us up beneath the open sky,
unafraid of its terrible weather. Back
before we ate the world. Before
we voted by text at the pageant’s close. Before we
organized the world into grocery aisles.

We’re over here in perishables, dear. Let’s dare confess
the dirty truth out loud.
Even in this future, we die. We tell ourselves

this is but one possible death told in one possible
dialect. This ending’s actually
kinder than most where by now we’re all
extinct as the farting dinosaurs.

We’ve got a team working on spinoffs but
so far, this
is the gentlest decline.

Our organic brains can nonetheless sustain
belief enough to gamble. Others pray, begging for
divine reprieve, but most of us accept it’s
a DIY job. Thus we wake

each identical day before first charge,
prodding our paper witnesses awake, make them
testify
of course we would have done
better if only, if only
. . . we’d done better. This is how I start, today.
This time I begin the story with do better—

Today’s heroine is promising—an engineer who
speaks only math. With ease, she flatters variables
to fix, making introductions until they are known intergers.
Cassandra, sees the bridge, the collapse, the whole
thing but humans mostly don’t talk in math.

She weaves the thing from spun theory and abacus string,
knotting the tapestry with primes, gilding it with fractional
topography. She will do better and this time surely
they’ll listen.

Today’s heroine is neither beautiful nor a frail consumptive.
She’s spectral, trans
formative, becoming algebra, then argument then
a recipe book for do better.

Second charge approaches, and this days memory
of the future is resolved,
clothespinned up to dry. We each sign and enclose
obligatory fees with whatever pragmatics
remain in custom.

Perhaps this will be the night
our weak, biological eyes will read
a future we might agree to build. Math
becomes a common tongue.

As every morning, this morning we affirmed
to mirror selves these five words
“We contain all possible futures.”

Really all we need is one
human future with a workable
ever after.

POLITICAL Poetry: INDEPENDENCE DAY 2024, by Robin Dake

I was born under a fluttering flag,
Raised in the symphony of patriotism.
Honor and blind loyalty were served at breakfast.

“We hold these truths to be self-evident that all men are created equal.”

In time, my suffragette great-grandmother whispered in my ear:
We can be more.
So I shrugged off the good-girl cloak,
Took to the streets,
Asked questions and
Let my pen loose.

“Congress shall make no law respecting an establishment of religion, or prohibiting the
free exercise thereof; or abridging the freedom of speech, or of the press; or the right of
the people peaceably to assemble, and to petition the Government for a redress of
grievances.”

I listened to the elders,
Learned from those who marched before,
Used my privilege to teach others,
Raised my voice and my daughters
To be loud and righteous.

O, let America be America again—
The land that never has been yet—

And on this day,
This star-spangled day of celebration
This rockets red glare day,
This glorious gaslighting day,

I long for what I thought my country could be.
Weep at backward steps,
Rage as men with twisted smiles and hearts of greed,
March over the graves of those who gathered

In Philadelphia
In Seneca Falls
In Selma
In Stonewall.

Now let us begin.
Now let us re-dedicate ourselves to the long and bitter,
but beautiful, struggle for a new world.”

Now the roaring in my head quiets
And I sit waiting.
Waiting to hear
The murmurs of Great Grandmother
Of Ruth, of Harriett, of Rosa.
I wait with a pounding heart and a sad soul,
Wait to know how to fight the next fight.

With fear for our democracy, I dissent.

R.T. Dake

With gratitude to my co-authors:
Thomas Jefferson,
James Madison, Langston Hughes,
Martin Luther King Jr,
and Sonia Sotomayor

MUSICAL Poetry: OF COURSE, by Becca Alexandra Hurst

Of course,
I sometimes wonder
whether you’re walking
these same streets,
I heard you moved to London,
but you’re neither here,
nor there,
because this city is vast,
and we were small.

But on a Thursday,
after work,
an evening in October,
I saw you,
in Shoreditch by a bus stop,
I was a little drunk,
you didn’t see me,
and that’s okay,
I’m glad you didn’t.

You walked past,
same walk and all,
and I knew just from the back of you,
that it was you,
of course.

GRIEF Poetry: FORGIVE DEAD, by Kelly Hegi

How do you forgive someone who is dead?
TW:Suicide

I thought I had. That I had taken the time and walked in your shoes.
And opened my hand to the idea that you were tired.
Tired of fighting.
Tired of all the judgment- it had to be hard to be judged and found wanting for 55 years.
Mene, mene, tekel, parsin.

I’m so sorry you had to live with that scarlet letter.
But I didn’t give it to you. All I saw was strength and grit.
I needed you and you chose a handful of pills. I needed you and it wasn’t enough.
I wasn’t enough to make you stay.
We could have come up with another way.
Mene, mene, tekel, parsin.

That shame that dogged you didn’t die with you. It’s now up to me and mine to send it
back to the pit it crawled out of.
A letter of a different color.
On the other side of time – you and I are going to have some words.
I miss you to my core
and

I’m not entirely sure I wouldn’t spit in your face if I was able to see you again.
Mene, mene, tekel, parsin.

LGBTQ+ Poetry: “Is the reason you never want to watch a queer romance movie because they are usually sad?” , by Violet Ivory

“Yes”, my girlfriend replies.

I know it. We want representation, which is often an expression of our own becoming. And your story, and my story needs to be told, but I wish for all of us we didn’t have a story like this to tell. That this hadn’t happened to us. I was bullied for being gay before I knew what gay mean’t. It used to mean happy, they love to say that. Why can’t it be both? Why do I have to be gay and sad? Gay and suppressed. Gay and that’s not her girlfriend, that’s her friend. Gay and she’s too pretty to be gay. Gay and are you sure it’s not a phase? Gay and which one of you is the man? Gay and you just haven’t found the right guy yet. Gay and isn’t everyone nowadays? Why can’t I be gay and nothing, or if anything- be gay and myself? I am not a soup can, yet you continue to label me and try to define my contents. Humans are not meant to be sorted, and simplified. I am more than who I love, but you are not able to see past that. You’ll only love thy neighbor, until we move in next door.

GRIEF Poetry: This Poet is Pregnant with Loss, by Elly Katz

I am an immigrant, nomadic desperate for home,
to hammer myself into existence
out of pain in depths of yearning—
for what it’s too immense to bookend in language,
perhaps only indicted by silence inserting itself
into the form,
the only self-portrait I still trust.

I am a book without pages,
textured with continents of feeling,
narratives adrift,
unlatched from each other,
passersby that do not
even graze gazes.

I a solitude of friction between
antagonist, protagonist.
I am a nest rigged,
unsettled high in the
chokehold of branches.

I am three:
tiny, frosted fingers caked with unbaked dough,
marble blue eyes glinting in flashes of exposures.
My mother’s ear just beyond the camera,
my jean jumper, chilled kitchen tiles
redeeming me back into a body,
inside the thought that I am one at all.

All I am: an isthmus of thick froth, melting chocolate chips
nurturing the sensorium of decadence against tongue,
summer falling like a painting through the back door,
foregrounding my living lore,
the high volume of aliveness.

I am nine in ballet shoes and leotard
inner legs skirting a horse’s mythic rib cage
cantering through campgrounds after dance,
hair flossing the periphery of eyelids,
helmet holstering my head,
codifying my mixed media of kinesthetics,
stretching the kite of romantic light filling
the vista enshrining the fence fencing
wild horses, geese in shocks of gold,
a literature of self-reliance in enacted experience,
hands holding fast to the mane of affirmative hair
roiling in the midday heat.

I am 20 negating my dear affection for the word
to negotiate the sciences,
left hand wedded to pencil,
numbers screeching through lead onto page after page,
consumed by an excess of equations—
how to balance them,
make all of the atoms content,
as though each molecule had a mouth calling its rage up
from the page—
my upper lip bitten into by lower teeth.
I am my own muzzle,
as though the numbers trapped me there in ember, the pencil erasing me,
the accumulation of the solvable aggregating at the base of the throat,
ghosting me out of being a being
in need of regular snack, bathroom breaks.

I am an experiment
breaking all the rules of
experiments,
the central tenant:
reproducibility.

I take issue with being now, at almost 30, at an impasse
with being those girls,
this one derived from the
ambush of a stroke stoking feeling out of my right interior,
an objectionable experiment running out of control,
out of senses to lose,
out of reproducing any semblance of myself
I know as myself,
out of stock of emotion
dragging me through, into.

I am not even a fiction projected onto a history,
not even a hovering presence.

I am so far away from my nested selves that
I’m outside them now,
an absence vanishing into silences that
generate all of the amplification.

Truth, trust: I need to anchor my weary body,
because I’ve lost my reference, my voice, my rhetoric,
so I’m unzipping structures—
theorems, sonnets, narrative, farewell.

I let myself wane because all I trust now:
these gaps to be my guide, and when they can no longer guide me,
I will step into them so they can swallow me,
so I don’t need to explain the inexplicable,
to remember what I cannot forget.

ROMANCE Poetry: SOUNDS OF LOVE, by Mariah Conrey

my bones creak
like newly discovered
basement ruins when
i mount you. we laugh.
you look at me and call
me old. i look at you and think
you’re going to be handsome
as an old man.
after, we fall asleep on
our mess and the room is
silent. i can hear your
ribcage expand and shrink
and my hair twirling
around your fingertips.
you rub my hip creases
and hum in unison
with your touch until
you slowly stop. your
last act of the day
acknowledges me. you’re
laying on your side
of my bed. my head is
resting on your chest
and i never learned
morse code but im sure
the vibrations from
your snores spell out
home.

ENVIRONMENTAL Poetry: BUGGED, by Ralph La Rosa

To climate change deniers

The bees are rarely buzzing, being few,
and though I’m seeing birds, they seldom sing.
Mayflies fed rainbows far from me this spring,
and the only thing that’s bugging me is you.
Butterflies flew elsewhere and I’m blue.
Jewels of the sky, the Ruby Throats aren’t humming,
night’s moths avoid the lights above my swing:
the only thing that’s bugging me is you.

PERSON Poetry: FRUSTRATION AND DEFEAT, by Gio AR

You tell me to control it but you’re the cause,
Yet when you do a good thing you expect applause.
My life is in shambles because my progress you stalled,
When I point out the truth you get appalled.

Maybe if I come out with this the family will fall,
I have dirt on all of you, don’t make me want to make a call.
You made me hit a wall,
Now I’m stuck with withdrawals.

So many excuses of why you can’t pull up,
Yet when I call you out on it you just give up.
Your personality is ok but your brain sucks,
You still owe me for the bowling alley that’s 20 bucks.

If excuses were running you’d get really far,
You screw me over, I’ll do it to you twice as hard.
I trusted you so much the pain just hits like a car,
Next week you’ll probably cheat on your girlfriend at a bar.

If inconsistency was your hops you could fly,
When you were with me how many times were you high?
My car broke down 5 times,
Man that sounds like a lie.

If you were trying to impress you really lowered the bar,
Mess with my livelihood for a year dude I take that to heart.

You made me believe,
Left me in the heat.
I am incomplete,
You just make me weep.

Want government so bad you threw me under the bus,
So you tell me now there’s no rush.
Now I have lost my touch,
Now my mentality is cut.