CRIME Poem: Private Investigator Demeter, by Kayla Bassingthwaite

She regrets the high heels–awful human accessory–
as the gray snow sidewalk swallows the clicks.
The slick overcast threatens her disguise every time
she steps into the amber streetlight or a passing taxi
interrupts the liminal city.

Third alley on the block between the Narcissus
bar and the closed bodega, the neon “OPEN” sign
on the left casts red and blue shadows
on dark eyes and tight lips before she’s smothered
in brick and asphalt solitude.

A figure emerges from a dim lit doorway.
Demeter clutches her phone tight, straightening
her blazer and lifting her chin. The Barretta
in her pocket shifts–goddesses can’t be victims
to naivety without dual-razored consequences.

All the remaining heat between the snowflakes
siphons into the man crunching toward her,
sweeping blonde hair and a daylight grin, predatory
under the guise of assistance. He clicks his tongue
and stops a few feet away, hands buried in his slacks.

“Hecate sent me. Said you know where she is,”
Demeter cuts to the chase, feeling the wasted seconds
on the tips of her acrylics. “I’m aware darling,”
he purrs. “You’re not going to like my answer.
A drink might help soften the blow, my treat.”

“Now, Helios,” she scowls. He chuckles and runs
his fingers in his mane. “Yes, alright. Hades took her.
Heard he struck a deal with the big man up the mountain.
Be ready to make a bigger one if you want her back.
A catch like Persephone, well, I wouldn’t let her go either.”

Demeter shivers, hissing a frustrated breath. “You’re sure?”
“I’m quite a reliable source. By the way, my tips aren’t
free. But you can take me up on that drink sometime,”
he winks before turning his back and walking through
the doorway. Demeter turns on her heels and makes a call.
******
Hades enters alone, his presence a smog greater
than the smoke tendrils dancing off his lit cigarette.
He grips Persephone’s hair like the silken threads
of his Windsor-knotted tie and yanks her head back,
making her flinch. “Open your mouth, little goddess.”

She squeezes her tear-filled jade eyes before obeying.
Pulling pomegranate seeds from his pocket,
he drops them in the back of her throat. She gags
as she swallows them. “Now, for six months you will
go. In that time, never forget that you are mine.

I’ve allowed you and your mother a great mercy today,
something I’m not fond of doing. But to have you at all,
little goddess, is worth it.” He draws a silver blade from
his pocket and cuts the rope binding her wrists. Persephone
nods before stumbling upright, bambling

to her mother on fresh foal feet. Demeter waits
in the doorway, Baretta tense at her side, clutching
Persephone’s golden hair matted around her sunken
cheeks before whisking them topside, out of the cavernous
underworld. Clothed in the filthy remains of what she

was kidnapped in, Persephone nears transparency
in the gray landscape, skin paled in the sunless realm
of Hades bedroom. “What is this?” she chatters
as she holds out a hand to the falling ice kissing her.
Demeter stares at the dark office windows

and empty sidewalks. “This happened when you were taken.
This is what my world became without you.” She wraps her coat
around her daughter and ushers her to their penthouse.
A cloud drags past the half-moon, bathing the snow
in shimmers as it settles into the last of its fall.

ALLEGORY Poem: Bet Your Skin, by Sugata Biswas

Leak the gas all night.
Bolt the windows tight.
Strike a match first thing in the morning.
Leave the man in the closet.
Plug the running faucet.
Did the children get the warning?

What people used to sell
people buy no more.
The chorus went home,
Father, get the door.
Let’s go check the trashcan.
Man to burning man
—Do you know the girl is missing?
Say, where’s your pickup van?

Bet the news don’t say
what happened yesterday,
the wedding band is playing jazz on the roof.
Everybody wishes everybody else
is gonna carry my burden of proof.

Bet your skin, bet your ribs;
go ahead and bet all the rest,
roll the dice on her hips—
better cash in the chips,
lick your lips and pray for the best.
2

BALLAD Poem: Dirty Lies, by Ayesha Montgomery

I believed the dirty lines
Fell into a sea filled with red lies
To hold onto words that have no bite
Tucking myself in only to experience discomfort at night

Your imagination is getting away from you
She’s just a friend
Trust me, I would never do you wrong

Crossed fingers hidden at the end

Rolling schemes tucked into neatly placed words
Trust, love, believe
And all the hopeful verbs
If only they meant more to him

A week later, I broke the vase
I saw receipts for two
At our favorite place
The same nights you came home two hours, too late

No lipstick on your collar
But guilt marked your face
Did I change over the years?
Did you believe that I could be replaced?

Don’t give up on me, smeared on his lips
My mind floats above the clouds
I used to bare the pain with silent indignation
And tear filled eyes

Facebook tied woven stories together
Like puzzles freshly solved
You destroyed our connection
You broke unspoken laws

We’ve never been perfect
But I expected more
I don’t want to be without you
But my heart is already out the door

Packed bags, new gym membership
And the addition of a new black dress
I won’t mourn us
There is only the loss of trust

Are you gonna miss me?
Walking around in your shirt
Remember how I used to serve dinner after dessert?
How I held your hand when you needed support?

No matter the situation
I put our love first
I treated you with kindness
That I never received in return

I hope your heart aches
May your chest burn
One day you will search for me
Like peace in the midst of a storm

But I won’t respond
Because for me it was a lesson learned
The connection is gone
It was easier to let go then to hold on

ALLEGORY Poem: HERE COMES THE MONARCH, by IFEOLUWA OLUWANIRAN

Applaud the great king of the Ingaria dynasty,
Under whose administration we wept with a smile
And laugh with tears. The one who sold the calabash
In the sacred irunmole’s confinement to the Jesus that
Lives over the sea. Great are you, Oh, King.

Ovations roar like the August rain from the gods,
Not of joy but of tears unwept, joy unachieved,
And life not lived. We celebrate the death of our lives and
Mourn the demise of our way. He wears our Agbada
Under his ironed suit, he kills us with the heat from it.
Great are you, Oh, King.

Sounds of honour might soon turn to rebellion
As we welcome the death of his suit, if only
We can live to liberate ourselves, freedom harbour
Not the sky, nor does it act in pieces,
But in one piece. If, for the last time, we could shout
The commotion of a new dynasty, we could sing
In unison, Great are we, Oh, Ingarians.

ALLEGORY Poem: Ever Faithful, by Nadya Steare

A blooming youth, with gown and cheeks like dawn
Who rarely spent her springtime but in yearn
By rain and sun the North sill sat upon
And waited for when fair love should return

She laughed with none the evening stars until
For talk and dance this woman never sought
They sound it off- this headstrong lack of will
That ev’n midlife her faith had faded not

By age her worry she could not conceal
In fear that time might end her with its wing
‘Fore every mass and every softened meal
She prayed He let her see another spring
Poor, elder maid! For little did she know
Her love had passed half century ago

NATURE Poem: The Bighorn Sheep of the Badlands, by Landen Parkin

In 2004, the 200-plus animal herd began to die from pneumonia. Around 80% of the herd died before
the adults gained an immunity; however, the lambs born each spring contracted the disease and within
months were dead.”
– Associated Press

Sometimes, I think of the bighorn sheep of South Dakota’s Badlands
Wise eyes surveying their domain,
Hooked horns rounded into crowns,
Kings of that melted landscape, wind-whipped and worn.

Cut down in the spring, fluid in the lungs
Pneumonia staking its claim, lambs born dying
And the herd is thinning out, burnt by bacterial wildfire.

Wise eyes tired, hooked horns heavy,
Day by day, they rule their rugged kingdom,
Their empire is slowly dying
But that does not make it any less proud, or strong, or beautiful.

FREE VERSE Poem: Trace, by M. Nandakumar

On the crumpled paper
that wrapped the things
brought home,
I find some words:

Beloved….
Never….
Why….
Will you abandon….

And other fading letters,
blurred emotions.
I contemplate the heart
that swelled while writing these lines,
the fingers that trembled.

Destined to be loved,
perhaps only after death—
and only briefly—
someone’s eyes,
still gleam on this paper.

BALLAD Poem: Genesis, by Popsea Ionut

Do you know what it’s like
to be caught,
a prisoner inside the body of time,
locked from within
like a fetus in the mother’s womb…
That is our existence:
condemned to suffocation,
to death by asphyxiation.
But when I’m with you,
our hands, entwined,
grasp—madly—
the flesh of time,
and we dig our nails into its entrails
until they split,
until the flesh tears,
and light breaks through.
And we,
freed from the amniotic fluid,
step outside
while time moans in pain,
holding in its hand
the placenta of our becoming.
It cries out,
but our ears hear only
the music of the present,
of the moment already gone.
There,
with blood-smeared hands,
I hold your cheeks
and kiss you for an eternity,
for time is no more—
nor death,
nor life,
nor gods, nor angels,
only the demons of our love.
Nothing else.

ALLEGORY Poem: At the Bus Stop, by Chase Wilson

I met a boy the other day
as I waited for the bus.
He was cruel and rude,
and hurt and afraid,
and kind and funny,
and aloof and unaware,
and smart and wise.
He spoke to me, sometimes
loud and crass, sometimes
fearful and quiet, sometimes
hopeful and contended.
He told me who I was and would be,
I could only laugh.
He told me his destination,
but he did not know the route.
I asked if he needed help,
But he told me he’d figure it out.

I met a young man today
on the bus.
I thought he was looking out the window,
but he was looking at,
no,
to me.
He asked a lot of questions,
good ones, bad ones,
easy ones, hard ones,
and ones I didn’t want to answer.
I asked him about himself.
He knew the route,
everyone had told him.
He just couldn’t remember his destination.
He was frantic.
He wanted to get off
as soon as possible so he could
read a map or ask someone else.
I told him to look outside
and watch the world go by.
To lose himself in the rolling hills
and shimmering lakes.
To cherish the darkest tunnels
and suburban sprawls.
“You’ll know when you see it.”

I’ll meet a man soon
as he gets off the bus.
I won’t know his route, and
I won’t know his destination, but
I know he’ll know why he’s arriving.
I’ll ask him many questions,
but I’ll also ask a lot of him.
“Remember who I was and who I am,
and understand us.
Forgive us when I make mistakes.
And please, tell me. Will I
really
know when to get off the bus?”
I’ll see him out the window,
standing in the cool November air,
and all he’ll do is laugh.

LIFE Poem by Frederick Dasinger

One hand on the wheel
One hand on my thigh
All the way home from San Francisco
We don’t talk
It isn’t awkward
I can finally breathe

I love you
I wish I could be like you
You’re so gentle
So Tender
So Loving
So Kind
Somehow untouched by all the sadness and hurt in the world

Your voice is a salve for the darkness in my heart
Your touch is the sweet flesh of a summer peach
So Juicy and so soft
Ripe for the tasting…
Something to sink my teeth into