POLITICAL Poem: , by Courtney Waller

ACT ONE
Nineteen-Ninety four

This was the year I would learn what human beings were capable of
The thing any one of us could be capable of with enough fear behind our eyes.
Mutating like a virus, that fear will always turn to hatred
Hatred morphing into violence.

My adolescent naivete and idealism was shattered in the very place that I had learned it; the
school library.
It was fifth period study hall of my sophomore year
Study hall was a small break from the standardized academic pursuits, which had shielded the
truth from us in the form of lessons written by the victorious, who did not want their secrets
spilled.
I was fond of the library, and the extensive newspaper section, that my parents could not afford
to provide at home.
Among the newspapers, an article caught my eye.
I can still smell the heavy and redolent ink of the newspapers , and the sweet, overpowering
scent of the lilacs in bloom outside the giant picture window, to the left of the newspaper racks.

A woman in a village in Rwanda met her fate at the end of a machete
But that wasn’t enough for the eyes that hold the hatred
She had been with child.
They took the child from her womb, with the same machete that had taken her life only
moments before.
The report would say they found the baby sliced head to toe
“Like a stick of salami”

I was unable to eat cold cuts for weeks afterwards.
I haven’t eaten salami in thirty years.
Those words burned into my memory, as if the page was still in front of me to this day

The betrayal came,not from finding out what people are capable of,
Rather, the ultimate betrayal came from those I had been taught were meant to do the right
thing and yet they had refused.
The man in a suit, hiding behind a state sanctioned podium, said it “wasn’t genocide”.
The man in the suit was “not prepared to use that word”.
The salami child had merely died from an “act of genocide” being committed, he said.
.
My idealism died that day, with tears hidden behind the non-fiction shelves before the bell rang.
I was meant to go about the day, as if this hadn’t occurred.
The man in the suit, the mother, and her mutilated child were meant to be inconsequential to the
life of a small town farm girl in Wisconsin.

ACT TWO
Twenty-Twenty Four

For months now we have watched images of children flash across screens held within the palm
of our hands
Waxy complexions and blue lips
Limp
Eyes, if open, glassy and devoid of life

Then, one day,
A baby, still in a diaper…….
……without blue lips.

‘The Tent Massacre’ they called it

My mind raced….”salami”

I felt a familiar rage mixed with grief turn my chest cold;
Little particles of ice formed around my lungs.

My son came up behind me. He was nearly as old as I had been all those years ago. He was taller, towering over me, peering at the screen, as the images played over and over in an unceremonious and endless loop.

“What horror movie is this?” he asked.

I could not answer.
I stared at the screen, the ice particles growing colder and spreading into my stomach.

A man in a suit arrives at a podium like clockwork.
The flash of camera lights surrounds him.
Reporters ask questions that demand answers
“How many charred bodies are too many?”

“It’s not genocide” he says.
Although this time the men in suits can not even bring themselves to admit;
“acts of genocide” are being committed.

And so, a new generation finds themselves with shattered idealism and the realization of what
men are capable of;
And what the virus of fear is capable of when it mutates unencumbered

Many are silent;
Clinging to the naive belief that complicity arrives with words.

DRUGS Poem: The Downers, by Alikai Espinoza

In the car, the family is talking about war, or something serious
I don’t know, I’m two Xanny bars in
slump in the car seat, head against the window
staring out at everything and yet nothing

I’m sorry, or am I
A paradox
It’s comfortable here, safe, and warm
There are no demons here, I have to run from
between the state of being high and begin everything they once hoped I would be
Is the thought that I can always soften the expectations they have that the drug is never too far, this feeling is never far away,

Can it ever be possible that I can ever escape the softness that blurs my reality or will i find a way to gather what is left of my pride and pretend that I will no longer need the drug that can soften everything inside and out and yet I know that I will always need it to keep the demons at bay?

But at the moment, all that is left is the car vibration and the warmth that has spread across me, the safe murmurs of family as the streetlight casts a shadow across my face, the light drifting across my tired eyes, and bags from restless sleep. Beautifully exhausted from being alive and being lost to the world tonight

Are the downers the only way to give my soul the peace it needs and craves?

ROMANCE Poem: Hymn for the Unchosen, by Gabriella Niles-Ewen

I came to him like Persephone –
A bloom half-rooted in the Underworld,
Hands dusted with the dark of longing –
He, the sun I mistook for salvation.
But I was not the first.

The pedestal bore another’s weight
Long before I climbed its slick, slanted edge.
Her name still sweetens his every silence.
She is the portrait in the locket,
The locked door in the house I now haunt.

She lingers in his laughter – uninvited,
Yet never told to leave.
I play the shadow bride,
Silent at their altar of old jokes,
Fingers trembling around cups he once filled for her.

I sip her ghost from every glass.
She does not see me –
Or worse, she does.
And when she does, I am madness:
A wild-eyed echo in the hallway,
A misstep, a flaw, a storm too soon.

She smiles like I am fiction.
He soothes me like I am overreacting.
And I, in truth,
Am just unfinished.
Their past is a chapel lit in amber.

I kneel outside, cold in the dusk,
Unwelcome in his prayers,
Yet ever in his confession.
How cruel, to be second – a sequel
To a story still half-lived.

A name less sacred,
A touch less known.
And still, I love him.
Still, I try.

A vase beside the broken statue,
Aching to be enough
In a gallery built for her.

DRAMATIC Monlogue Poem: SELKIE, by Donna Latham

I found it. Memories flooded back, splashed over me in waves, as the Old Ones promised.
I found it in the cellar. Stumbled upon my precious gray coat. Stashed in his double-locked oaken chest stowed there. My skin, long lost and now found. Found yesterday, when the fisherman left behind his skeleton keys. Bolted off to carouse at the pub. Forgot keys that always clanged from a leather cord wound round his waist.

The fisherman stole my skin years ago. He stalked shorelines with other ruffians. Louts tall as they were broad. Terrifying men armed with harpoons. Clubs. Chains. Men the Old
Ones warned of, deep beneath the sea.

Been seven years since he captured me. I was reckless then. Laughed away the Old Ones after cavorting in waves. I lolled on shore, naked and pale. A pillow of coarse curls fanned beneath my head. I dozed. In human form.
“Well, well. What treasure washed ashore?”

The fisherman caught me unawares. He loomed over me, blocked out the midday sun. I scrambled for my skin. He was quicker. He tucked my pelt under a massive arm. Gripped my wee webbed hand. Hauled me to his shack like wreckage. Forced me be his wife.
Gobsmacked by my unearthly beauty, so he claimed. As if that’s enough to right a wrong.

Straightaway, villagers set to whispering. His big-bosomed mother elbowed fishwives aside. Rose on tiptoe to whisper in his ear.
“Better tae keep selkie ways oot o’ her memory.”

Seafaring chums tapped leaky noses between puffs of smoke and chugs of brown drink.
They hissed advice.
“Best tae lock the skin away. Hide her coat? Steal her memories.”
“Aye! Lest yer selkie remember wild ways. Escape ye where waters are black as the Earl of Hell’s waistcoat.”

I glared at fisherfolk with fathomless eyes. No one gave a care for what I wanted. Nor wondered why I bolted each day to the shore. Nor fretted for loves I’d left behind. My seal husband. A mammoth bull, both gentle and ferocious. Our silver-spotted pups, enchanted all. I turned away, for I’d grant fisherfolk no satisfaction. They’d not spy seven salt tears escaped from my eyes.

The sea gives, and the sea takes. One fine thing it’s given me is patience. Patience over seven long years, trapped between Earth and Sea. Belonging to neither. Haunting both. The magic in me is old. Old as the sea. Magic spoken in a tongue ancient as time.

The fisherman’s at sea today. Out in a rickety boat.
I hurl ancient words across the waves:
You’ve no right to pluck a wild creature from the sea.
To keep it for yourself.

Hurl words to terrify him:
The sea gives, and the sea takes.
You took me from the sea. I’ll give the sea a bit of you in return.
Your boat’s drain plug.
The plug you kept latched with your skeleton keys.
So you’d never forget it.
I plucked it away with wee webbed hands.

I hurl the plug into the waves, dive in the opposite direction. The Old Ones trumpet a welcome home. My seal husband and daughters surround me with sleek heads. They bark in joy. Nearly enough to right a wrong.

LIFE Poem: Warsaw is murky, by Marta Dudkowiak

when I come in October
thick fogs like scarves wrapped around
the Palace
of Culture and Science,
its slender neck
so deserving of
great honours of the first cold days.

I am in awe
as I brew my coffee in the morning,
open the window to gaze down upon the street –
its matutinal splendour.

I love the concrete,
how it graces the city cruelly.
Why does it rain so?
& blur my vision?

Now puddles look like pools of blood.
And my bedsheets! Marooned.
I could smell it – I’m sure –
if my nostrils weren’t bleeding too.

Are you awake? I know it’s early, but
my heart is heavy.
The beauty of things tires me
winds rushing through the gorge of Soviet buildings.

I can’t handle it
or thinking to myself as you sleep.

I am lonely
in ways you don’t understand.

My soul is not of a Greek goddess,
but if it was,
her name would stay unknown

no attributes, no voice.
Mistress of the world,
or essence.
Maybe Sea Foam,
in her most dense form.

TRAGIC Poem: The End You Chose., by Alyssa Kupchunas

I’ll remember you when “Somebody Else” cycles on the playlist’s shuffle,
when I prepare that asparagus and blue cheese dish with no trouble

I’ll remember you when there are lollipop lamb chops on the menu,
when someone talks about the latest UFC Fight Night venue

I’ll remember you when friends recall their wildest tequila nights,
when an acoustic version hits just right

I’ll remember you when I spot a kayak strapped to a pickup truck on the highway,
when I follow up with the phrase “They’re ready for a great day”

I’ll remember you when my friends adopt an English springer spaniel,
when I set sail out on the Halifax channel

When I do [remember] I think about how life is unjust,
How in the end we all rust

I’ll remember how you were gone too soon,
but this is what you chose to do.

I should end this poem here too,
but I’m so damn mad at you.

I don’t want to remember,
I don’t want this pain.

We were exes – long since decayed,
fated to never speak again anyway.

I don’t feel right to miss
mourn
moralize
muse

that much is true

but when I do,
I’ll remember you.

ENVIRONMENTAL Poem: Anthropocene, by Joseph Dean

January is the cruellest month, this year, fucking
the population out of greed, mixing
politics with lust, and obsession with young girls.
I see a lion eating its young, and butterflies sleeping on a log in a river.
I see Gary Snyder masturbating in a forest, and he’s writing a poem about his orgasm.
I see a waterhole with clothes on the rocks beside it, and hear people shuffling, water splashing.

Outside of the forest, I see tourists taking pictures of brutalist architecture
and somewhere in the Blue Ridge Mountains, trees are being burnt to build a
Dollar Tree.

And I see a cyber truck parked next to Watauga River
and I see Richard Siken getting off in that river he said he
threw his sadness in.

And I see a high speed police chase on a highway
but someone is on the edge of the railing about to jump off
And I see the
And I see the
And I see the
And I see the
And I see the
And I touch myself to get away from it
And I feel the

And I feel every thing all the fucking time.
And I’m a good human nature case for Gary Snyder to write about
Maybe he can write a poem about bathing me.

And I’m a good major-depressive
hyper-sexual male case for Richard Siken to write about
Maybe he can write about me having sex while
I bleed

And everyone’s hungry
even the good men are

And everyone’s hungry
even the good men are
And everyone’s hungry
even the good men are
And everyone’s hungry
even the good men are
And everyone’s hungry
are there good men anymore
And everyone’s hungry
And everyone’s hungry
And everyone’s hungry.
And everyone’s hungry. help me.

COMEDY Poem: The Night I Became Houston’s Youngest Getaway Driver, by Renee Dionne Mies

for my Step-Father

Spanky’s Pizza was ground zero.
Three fishbowl margaritas in,
my mom, my grandma, and my stepdad Tom
looked like extras from The Walking Dead: Tequila Edition.

Their limbs were spaghetti.
Their words were soup.
Grandma mistook a potted plant for a small child.
Tom, eyes crossed and heroic,
handed me the keys.

I was thirteen.
Barely five feet tall.
Absolutely zero business operating a motor vehicle
on a major Texas freeway.

But Tom had been training me.
Gravel lots. Stick shifts.
“Ease off the clutch like you’re sneaking past a sleeping bear,”
he told me,
like Yoda with a hangover and a need for speed.

So I got in.
The Datsun 200SX—silver, cranky,
and shaped like it had unresolved issues with the 1980s.
I turned the key. It coughed.
I shifted. It groaned.
We understood each other.

First gear. Stall.
Try again. Catch it. Go.
Merge onto the freeway
with a car full of humans
who were technically still conscious
but spiritually horizontal.

Grandma tried to sing “Free Bird”
but got distracted by a passing billboard.
Mom hung her head out the window
and gave the asphalt her soul.

Tom navigated like a pirate with a head injury.
“Exit in… two miles? Or half a mile?
Is that a Taco Bell or a hallucination?”

I drove like my middle school reputation was on the line.

Every gear shift, a triumph.
Every honk from another driver, a badge of courage.
The Datsun roared. I grinned.
Houston didn’t deserve me.

We made it home.
Tom gave me a thumbs-up
and then fell asleep face-first in the grass.
Mom and Grandma threw up in stereo—
one on the lawn, one in the flower bed.

And I,
thirteen and undefeated,
parked that car smoother than a valet at a country club,
walked inside,
and finished my pre-algebra like the legend I had become.
Barn Raising
for my father

TRAGIC Poem: Wednesday, by L Held

In late afternoon
A shadow falls
Fred parks his yellow VW bus at the shed
Mops his brow
Calls inside
What’s for dinner?

Whistles to his Lab Elmer
And gives him a treat to chew.
Wipes his work boots at the stoop.
Pushes the massive brass handle
Which slips out of the one ragged screw holding it in.

The kitchen is warm and inviting
With hand me down linens and chipped China
A cracked mug from that Red Sox game.

Janice stands by the stove
Singing a random tune
Dum de de dum dum de de Dee

How my best girl he asks
Feeling better she answers
Those darn pills. They sap my energy.

Too much to expect them to work instantly, my dear.

He extracts a Heineken from the fridge
And disappears into the dark hall.

DEATH Poem: DEATH, by Stacie Whitney

“You know you almost died out there,” he said to me.
“That’s a matter of opinion,” my reply.
For you can choose to believe in death
Or not.
Either way it’s laced with fear
Until you realize that
We were never actually born.

But always were.

Emanating, radiant beings of light
Sparkling, shining, luminous.
Infinity itself
For just one speck of a second,
We plea
Or are pleaded with
To take the plunge
Into form.

Nothing changes when we go back home
We were already there, we never left.
Tho perhaps we became a bit
Raveled up
In the story of form
The flowing, the fulfilling, the flavours.
And we forgot that all along

We’ve been tucked into our sacred bed
With those we hold dear.
We never left them, only forgot what they looked like!
And now I see your deep, wild godly eyes again.
And oh, I am home. Precious, holy, beyond words
Or form.

“You know you almost died out there,” he said to me.
“That’s a matter of opinion,” my reply.
For you can choose to believe in death
Or not.
Either way it’s laced with fear
Until you realize that
We were never actually born.