After much deliberation, Radu concluded his name was Merlin.
Merlin was the greatest wizard of all.
Radu had first been Houdini, the Master of Illusions,
But all that magicians worked with was perception after all.
Reality remained unchanged.
A wizard, on the other hand, could cast spells with their wands.
Radu had two Magic Wands instead of one.
To double the power.
Radu and the wands were inseparable.
He also wore his Cloak of Invisibility all day long, even late at night,
Between the crumpled tattered sheets.
It had become his second skin.
The wands and the cloak became his fighting arms and armor.
His mother disagreed. She called them willow twigs and filthy garbage bags.
But Radu’s faith was strong.
Magic could make everything and anything real if one willed it hard enough.
All wizards had to do was twist their wands and say the magic words.
Abracadabra, the bills, paid, the electricity and water on again.
Hocus-pocus-preparatus, food, steaming on the table.
Otipy-motipy-poof, Radu’s sisters home as well.
Hax pax max Deus adimax, his father’s heart beating in his chest again.
When Radu’s father was alive, he would swing his children one by one.
Merry-go-rounds would make the girls sick.
But Radu was fine.
And then, unlike his sisters, he had the wizard’s tools to keep him home.
But Radu’s will grew weaker by the day,
So the wands lost all their magic in the end.
Then he turned his face to Jesus.
Jesus could put food on the table.
He had multiplied the fish and bread
And turned water into wine.
So Jesus might just as well turn paper money into real money
Jesus had even brought the dead to life.
Wake up, Lazarus, He said,
And Lazarus woke from the dead.
Radu believed that resurrecting his father would be an easy task for Jesus.
If Jesus could do all that, Radu was going to be Jesus.
For only Jesus could convince his mother not to sell him.
Some buy retail, others wholesale goods.
Children would go solo or in pairs.
Radu’s older sisters went in pairs.
His mother shipped them two by two to England and America.
Radu was the last one left.
He would go
Solo.
$1,000 was the asking price for an 8 year old.
Negotiable.
New born babies would be more expensive,
But Radu was already old.
When his time came, Radu begged and pleaded
But in vain.
Just like the other four already sold.
Two other babies were growing in his mother’s belly after all.
I arrived at a destination that was far away from home.
It was more like isolation. I felt alone!
Drowning, watching water surround me on every side,
called my parents every day and often cried.
I searched for ways to escape this place,
because with each passing day, a little more of my joy died,
but I kept praying for the loneliness to subside.
This place had me rooted in an abyss of despair.
I started to think that no one cared.
I found myself chained in depression,
searching for signs of regression,
while battling crippling questions,
navigating the lows that lead to suicidal ideations,
wishing that my heart and mind would enter mediation,
and that all these feelings were just a part of my imagination.
How could I let myself get to such a place where I was left feeling alone this way?
I thought I was stronger! I can’t stay here any longer.
I have to make a change!
It’s time for me to rearrange my thoughts, for not from trying,
I found myself pondering. Is this all that life has left?
Should I stay or should I go?
At this very moment, the answer would deliver my parents a devastating blow.
I don’t undertand the point
What is the point
What is MY point
I am at my point
About to burst at any point
About to cry at any point
At the knives point
I make one final point
A showcase of the best DOCUMENTARY Films in the world today:
BEST Feature Film: FEMININE SINGULAR BEST Short Film: THE EXAMINED LIFE BEST Story: THE RAZOR’S EDGE BEST Direction: THE SECRET OF PREHISTORIC MOTHERS
SEE FULL HIGHLIGHTS OF EACH FILM:
THE EXAMINED LIFE, 14min., USA Directed by KA Chinery What is this journey we call life? And what is its purpose? Is there a goal or a destination? Throughout this profound journey, we experience so much joy and so much suffering. But what we must know is that the triumphs and struggles that we experience along the way have value far beyond human comprehension….value that can only be known with the wisdom of an examined life.
FEMININE SINGULAR, 72min., Argentina Directed by Dorian Shine An evocative cinematic and performance art voyage through the lives of 30 extraordinary Argentinian women between 4 years old and more! Within each woman’s story, a treasure of resilience and strength appears through their unique perspectives and experiences. These women share their triumphs, challenges, and moments of profound courage, illuminating the complexities of womanhood and helping us grasp the meaning of being a woman
THE SECRET OF PREHISTORIC MOTHERS, 53min,. Germany Directed by Anja Krug-Metzinger What was motherhood like in prehistoric times? Most recent archaeological findings prove that the cooperative support of mothers within a community became a successful reproductive strategy.
THE RAZOR’S EDGE, 67min., Greece Directed by Christos N Karakasis, The first Greek documentary about the art of Kung Fu by the Director and Producer Christos N. Karakasis with the central figure being the teacher Sifu Kyriakos Eleftheriou. koyinta@gmail.com
WE’RE STILL BREATHING, AMHARA GENOCIDE IN ETHIOPIA, 23min., Ethiopia Directed by Graham Peebles We’re Still Breathing, Amhara Genocide in Ethiopia is a short documentary about the systemic silent genocide of the Amhara people in Ethiopia.
WASTED, 55min., Singapore Directed by Jessica Cheam, Fraser Morton Wasted prompts us to re-examine who we are and our values — to re-think our relationship with the world around us. We cannot continue to extract and exploit our ecosystems at unprecedented rates, and continue down the path of wasting our precious natural resources. We want to inspire action across business, policy and individuals to clean up our communities, cities and natural habitats and create healthy, thriving economies. In a stunning visual exploration, the film interweaves imagery from across Asia, traversing India, Singapore, South Korea and Vietnam, from landfills to archival, cinematic aerials to macro intimate portraits. We hear from industry experts, policymakers, scientists, activists, community leaders and those affected by the impact of ineffective waste management systems. They shed new light on how our worldview and approach to waste profoundly affects life on our planet.
HOTPANTS, 15min., Sweden Directed by Vera Berggren Wiklund A story about finding your way back to volleyball where the dress code in the sport and self-hatred of the body stands in between. The film is Vera’s process (the director) of re-approaching the sport after a break caused by hotpants and body hate. By meeting other young people who have played and plays volleyball, Vera wants to explore how others think about hot pants. Emma, Vera´s friend, who also stopped playing volleyball in her teens follows her through the film and their joint goal is to start playing again, in the clothes they themselves want to wear.
STAUNCH MODERATES EXPERIENCE, 39min., Directed by Gregory T Simmons Welcome to the Staunch Moderates Experience, a story which takes us through the history & achievements of the Staunch Moderates movement through music. This film presents a unique experience with it’s multi-genre compilation of music videos from the three albums released by the movement.
It doesn’t matter how I start out these poems
they end up as laments for my strays—
the ones who wandered off and the ones
who traveled to New York or to Chicago,
where my childhood bestie ended up.
The ones I know died; ones I imagine speak to me—
the musician who blew his head off
with his therapist’s gun and the poet
who tried to save me from history.
We’re not in touch but I keep them
in living memory with the gymkhana pony
who went to glory with her head in my lap
and my granddaughter, atomized on a two-lane
by a lumbering eighteen-wheeler.
What a dinner party we have when I call them
to the table, each beloved face shining with appetite.
And you, others, so many dead or dying, whether or not
I know you, all I write now is your elegy.
Drinking carnival lemonade on a hot summer day
Walking miles through the desert in search of water that isn’t there
Falling asleep in the car as a kid on a long drive home
Pushing a boulder up an endless hill like the sister of Sisyphus
Getting a letter in the mail from a long lost friend
Disarming an atomic bomb with a blindfold on
Letting crisp night air flow into an open bedroom window
Realizing you left a candle burning all night by accident
Sharing an umbrella and feeling the soft rain on your shoulder
Fighting a losing battle in a war you don’t understand
Driving back home after a weekend spent away
Biting the cracked skin of your lip until it bleeds
Stroking the soft ears of a dog that doesn’t like anyone
Trying to find your keys when you’re already running late
Hearing the song your dad used to sing on the radio
Forcing a feral cat to sit quietly in your lap
Tasting the homemade brownie batter on the mixing spoon
Waking up crying from a dream you don’t remember at all
Stretching your restless legs after hours spent on a plane
Grabbing hopelessly at your loose paperwork as it’s swept by the wind
Seeing your favorite movie for the first time in a small hometown theater
Running into a stranger you used to love in a grocery store
Finding an old love note hidden in your favorite book
Leaving your childhood home when you move to college
Taking that first deep breath after diving underwater
Pressing a loaded gun to your head in a game of roulette