JUDE AND LEO – NICU, by Yvonne Gluyas

Twin babies in clear plastic boxes.
I reach my hand in and touch one.
Machines measure their lives
in heartbeats and breaths.

Their environment is controlled,
but my emotions are not.

One baby clasps his fist around
the tip of my little finger.

The second stirs,
reaches towards his twin,
separated after just
thirty weeks together.

I am part of their souls,
they are part of my life.

One day they will hold my hands
and not just the tip
Of my little finger.

For Jude and Leo
Born 16th December 2019

To celebrate my first meeting with them on 20th December 1919 in NICU (Hobart Hospital Neonatal Intensive Care Unit).

© Yvonne Gluyas

NEFARIOUS VISION WITH EVIL INTENTION!, by Debasish Majumder

Eagle, Vulture and Kite
They all fly in extreme height
Still they can focus their prey
To satiate their appetite in gay
They do depend on carcass
On plane surface living beings serve their focus
Dead bodies are their source for subsistence
At least they don’t crave for surplus to avoid their fast
What a grand surveillance from top they enjoy in ruckus!

In Earth’s plane
Humans are sharing their food with an amazing train
With stray dogs, not having any hesitation and neither desirous to refrain
They both need to satisfy their stomach
Compromising with the available situation
Where they have no choice but appear in stark!

We human can envisage alone
Birds eye or our eye
Which is supreme, which is prime
Which can evaluate the crisis irrespective of any echelon
Eyes too need food
Though Cornea having no blood vessels but continuously serving us in gratitude
It exists out of our physical structure
Without which it has no such gravity and could align our faculty in rapture!

We majority are starving in the present global scenario
Though we contribute our labor to construct all available beauty
We religiously maintained our duty
Cities and Towns are dazzling for our sincere rendering of labor since eternity!

Alas! We are subjected to naked repression
Abrupt lock down made our life miserable, nobody is heeding to our deplorable situation
Few at the top are craving
We should be quarantined or imprisoned for an infinite regime
Without any provision to heal
We will perhaps soon die
We wonder who will construe a platform for us to sigh
How long we will be subjected to few eccentrics vendetta
Profit seeking few megalomaniacs matrix how long embroil our souls with such anathema!

THE FOREST, by Novia Rika

I was born in the heart of teak forests
where most of the roads were gravelled
then spent my childhood only a sprint away
from the sea and the woods

My play yard was piles of logs
under the array of mahogany and saman trees
where I hunted anything from the trees;
Mahogany fruit shells with its bitter winged seeds,
monkey pods, or the honey-like frozen sap
that were dangling from the barks

I used to runaway from my mother’s nap time calling
Flee to the open hill above the sea surface
Then running down the hill to catch the ocean breeze
together with my closest friend, the youngest brother

Six years living on the seaside
we learn about how this world is continuously moving
like the tidal waves, the wandering wind,
the scattered sand on the beach, the fishermen’s boats
and also us, moving from town to town

Me and my brother are the youngest of the family
So we always attached more to our parents
As our three older siblings had been roaming into the adults world
Me and him, we always stayed together

Puberty is hard, and I was always alone in my mind
Questioning about nothing that I could understand
Maybe he felt the same way too, or even worse
He was like me, too quiet
He only had higher hopes of pride,
that maybe he buried them deep under his skin
like the piles of dry leaves that we were playing on our childhood forest

One day, all of sudden his mind became a cocoon
Swirling in webs of memories and reality
Slowly the innerlight on his eyes dimmed
Shadowed by his gibberish words,
or sometimes the unknown rage

His skin was changing, wrinkled and putrid
I’ve seen it dry and suppurate
His words were changing, it was like a prose
with disordered storyline and biased characters
And his eyes, his eyes were like a wild forest
Too deep to roam, too dense to scour
I could never understand what it feels like
Lost in a deep forest without a hand to hold

So it’s true, that life is always moving
I threw a goodbye to embrace a new life,
with heart as heavy as bogs
What sadden me was that he couldn’t be moving anymore
It crystallised in my mother’s tears, her biggest grief
Yet she offered the biggest love

Until the end of her life they had a special bond
As all of her children were clinging desperately
next to her hospital bed at 2 AM
Tens miles away he loitered around the gate
of his forced shelter, restlessly asking to go home
We didn’t even had a chance to tell him that his mother is dying
So maybe her soul visited him for the last time, her long lost son

Now I don’t know how to bring his soul back
My brother, my closest friend back then
It is the second year without my mother
And it has been years without him
Still, we’re living in the forest
Different from another

—–

BIO

Novia Rika Perwitasari. An Indonesian poetess. She has won first prize at several Indonesia poetry competitions. She is the founder of Poetry Prairie website, Indonesian delegate at 19th World Festival of Youth & Students in Russia. Her poems have been published in various poetry anthologies in Indonesia, and her English poems also published in international platforms such as Dying Dahlia Review, Optimum Zine, Poetry Kit and “Haiku Masters” by NHK TV Japan. She also took part on translation project of literature works by Intersastra Publisher.

Interview with Cinematographer Michael Simmonds (Nerve, Vice Principals)

matthewtoffolo's avatarMatthew Toffolo's Summary

Michael Simmonds is a wealth of knowledge when he chats about his love of cinematography. He is a man who is constantly looking into the future and only looking back when inspiration is needed. He is a rare talent who is able to move seamlessly from documentary to TV to feature films.  It was an honor to chat with him.

Matthew Toffolo: What are the biggest things you learn when you work on documentaries that help you when making live action feature films and TV shows?

Michael Simmonds: There are many ways to approach shooting a Verite documentary. Sometimes you need a complete and editable scene every ten minutes. Meaning, you are constantly getting CU’s, inserts and establishing shots over and over again, regardless of what is happening. Or you can approach a doc like you would going fishing–you stay back with the camera and drift around until something interesting…

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Interview with Cinematographer Trent Opaloch (Captain America: Civil War)

matthewtoffolo's avatarMatthew Toffolo's Summary

Trent Opaloch is easily the most talented and sought after cinematographers in the world today. He has DP’d for director Neil Blomkamp  on “District 9”, “Elysium”, and “Chappie”,  and director’s Anthony & Joe Russo on “Captain America: Winter Soldier”, and the upcoming “Captain America: Civil War”. It was an honor to sit down with him to chat about his career and the art of cinematography.

trentopolooch.jpgMathew Toffolo: You first worked with director Neil Blomkamp on the short films “Tempbot” and “Yellow”. How did you two meet? What makes your director/DP relationship so successful?

Trent Opaloch: I met Neill shooting low budget music videos. We shot a handful of videos & short films while I was working at Clairmont (camera rental house) & he had just left a vfx house here in Vancouver.

He used to do all his own vfx work back then so it was really interesting to…

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Tips for Self-editing Your Work for Submission: Part 1, Why You Should and Must — Jamie Dedes’ THE POET BY DAY Webzine

“If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.” Dorothy Parker (1893-1967), American poet, writer, critic and satirist When I started […]

via Tips for Self-editing Your Work for Submission: Part 1, Why You Should and Must — Jamie Dedes’ THE POET BY DAY Webzine

5 Tips for Beginner Poets — Caitlin Cacciatore ~ Poet and Author

Tip #1: Read, read, and read some more! The quickest and easiest way to get better at writing is to read – for inspiration, to study style and form, to observe and learn so that you may begin to mimic what you find works in other people’s poems. Your own writing will progress much faster […]

via 5 Tips for Beginner Poets — Caitlin Cacciatore ~ Poet and Author

The Future Of Poetry – guest blog post by John Kaniecki — Trish Hopkinson

I believe strongly in poetry. It has worked before, and it will work again. It is infused in the culture of every civilization. Whether it’s the Bible, the Odyssey, or Shakespeare, poetry has been extremely popular. Today poetry lacks the prestige it once held. There are no Robert Frosts in our time and age, let […]

via The Future Of Poetry – guest blog post by John Kaniecki — Trish Hopkinson

Tidying Up — If You Haven’t Got A Sonnet

That crafty Stine says my blog’s neat which makes me preen and feel upbeat It’s nice to know when someone so cares to share you (C) Stephen W. Buchanan 2020 Originally published advertising free at “If You Haven’t Got A Sonnet” Thank you Christine Bialczak, who’s wonderful blog Stine Writing is enjoyable on several levels, […]

via Tidying Up — If You Haven’t Got A Sonnet

Writing Tip: Set a Scheduled Time — KaylaAnn

Read any “How to Write” books, watch any author talk about how they did it, and they’ll tell you: They protected their writing time. This is the advice I have heard a thousand times and it’s the advice I’ve given out multiple times (even when I sometimes fail to follow it). Want to know why? […]

via Writing Tip: Set a Scheduled Time — KaylaAnn