DEATH Poem: Graphite Grim Reaper, by Josh Stone

Locked and loaded
I’ve practiced with it before
I know how to use it
Tonight
is the night
there’s no going back
all options exhausted
my pencil a gun
I press hard against my header
of this blood red notepad page
and pull the goddamn trigger

But the lead breaks
gun jams
a sad, single, broken squiggle
Fuck!
This gunpower graphite grim reaper
didn’t want my final gift

Words won’t heal these wounds
despite decades of self-inflicted salve
miles of ruts in ancient roads
carved by carts full of family bullet holes

Cursed lullabies inside my head
“Bring out your dead, boy.
Bring out your dead.
Don’t let them get close, boy
your secrets will spread.”

I can’t erase the squiggle.
like I can’t erase the past.
but maybe
I don’t have to.

there are many more pages here
notebook and body

room for
more scribbles
sonnets
songs
courageous exchanges
encouraging words

So I’ll let the last of my faith
set her sights on this gunpower prayer
May
this broken
S
q
u
i
gg
l
e Misfire
be a holy demarcation
between all of my aims before I was broken
and all of the beauty still down range.

DEATH Poem: The weight of unspoken words, by Alyssa Poole

It is the weight of
Unspoken words that
Drowns me, sinking
Me deeper, deeper, deeper down
Into the abyss of the
Dark, empty forest. Alone—
Fighting? Struggling to stay alive? Or
Did you let go? Haunting
Me is You and
The weight of what’s unspoken.

I hate you Did I love you?
I love you Did I hate you?

It’s not the similar hurt we lived—
It’s not the silence always between us—
It’s not my door slammed shut after a fight—
It’s not the illusion you cast for others—
It’s not the hate I don’t know if I experienced–
It’s not the uncomfortable feeling of seeing you—
It’s not the stored-away urn—
It’s the weight of unspoken words that kills me.

I miss you, I
Think. But
Shhh, don’t tell. I wonder if
You’re looking at me from
The afterlife. I wonder if
You regret me. I wonder if
You loved me.

Mama, so many unspoken words.
Mama, now that you’ve died.

DEATH Poem: Many Men (Wish for a Breath), by Asher Graves

What defines a man?
Someone with dignity? Someone with shame?
Someone vulnerable, or “someone” in vain?
A vague answer—I’ll be honest then,
Society’s standards? Cruel and dishonest, man.

You speak up—you’re disregarded.
You make an effort—you’re outsmarted.
You do nothing? You’re called a bastard regardless.
Try to hold ground? Your stance gets blasted.

Vulnerability. Breakdowns. Mental fatigue.
A man’s life—just pain with no relief.
A faint smile, a brief breath, penned on a sheet.
That’s what this is, boys—so buckle your seats while I preach.

A man’s life is a lie.
His smile, his words—his emotions, all a disguise.
He lies because he cares.
He finds ways to fix, not vanish into thin air.

His day begins with thoughts of his loved ones,
And ends with them.
Yet the only flowers he ever receives
Are laid at the end.

Poor appreciation. No oxytocin—
That’s how he lives.
All he wants is to see his family smile,
To make ’em proud, and meet every wish.

Loving children and an adorable wife,
Still, he gets caught in conflict and strife.
Trapped in the webs, looking for light—
He knows no matter how loud he shouts,
It’s all silent. Mute. No sound in sight.

He doesn’t complain like he used to do.
This masked way of living? He’s grown used to.
A constant tug-of-war with everything.
Wearing the mask, that smile, and the pretending.

’Cause this is a judgmental world,
Where male discomfort is dismissed as vile.
No one cares for a man—
“That’s just how they are,” says Society with a smile.

“A man should be tough.” “Stop being so weak.”
“Only a weakling cries.”
Why these beliefs?
Is a man not human? Can’t he break—
Even once, without being called fake?

Can’t these so-called standards vanish for a jiffy?
Let the noise hush, just for an iffy.
The situation’s looking a bit tricky.
So much for equality—when the loudest cries dissolve a man too
quickly.

No offense to victims, but truth gets murky when empathy turns
picky.
We need balance, not blame—before the silence gets sticky.
So much for fairness, when power plays the sound—
And those holding the mics are just money-hungry hounds.

But let me leave you with names they forgot to pronounce—
Prometheus, who stole fire so men might renounce
The cold chains of darkness, gave light for free,
And was punished by gods for daring to see.

Or Sigurd the Valiant, who slew Fáfnir the beast,
A man, not divine—just brave, to say the least.
He bathed in the blood, understood the birds’ song,
Betrayed by the world, yet stood strong all along.

These weren’t monsters. These were men.
Not flawless—but free, with a truth in their pen.
So next time they say, “All men are the same,”
Remember the fire. Remember the flame.
One man can burn,
And still change the game.

-Asher Graves

DEATH Poem: When I am Gone, by Lara Al-Bitar

One day,
the wind will whisper my name,
soft as a breath, light as a sigh.

The echoes of laughter,
the weight of my words—
they will linger, though I have flown.

Do not miss me for the face I wore,
nor the voice that time will fade.

Miss me in the quiet moments,
where my touch still gently stays.

In the book half-read upon your shelf,
in the song that feels like home,
in the warmth of hands once held,
in the kindness left unsaid.

I will not vanish,
not truly,
not yet—
for love does not die, it roots, it grows.

And if I am to be remembered,
Let it be in the hearts I chose.

DEATH Poem: Dirt, by Johanna Mitchell

We buried our Siamese this evening – found dead in the neighbor’s yard.
No idea what happened.
So hard to imagine my own body buried in the dirt.
He was stiff and heavy.
Life all gone.
It is so strange and surreal.

We threw white petaled flowers on his body.
He took no notice.
The dirt fell around his head and between his legs.
His big, soft, brown paw lay with toes curled as if to nurse the air while purring.
Sharp claws poking out like daggers once used for scratching trees and hunting lizards.
The lizards are now dirt.

We planted a fragrant lavender plant above him.
Its scent made its way to me, sweet and soothing, from the ground where its violet flowers
rise above him and its roots reach down to his rotting flesh.
The putrid smell, smothered in soil, lurking deep down in the earth.
The lavender and the Siamese will become dirt.

We walk on this earth, the dirt, the grass, the concrete; minds full of senseless longings,
careless judgments, meaningless noise – I’m right or you’re wrong, he said this or she did
that, or fantasies about the future and grandeur.
It will all become dirt, eventually.

I hope one day my body will lay in the dirt beneath a beautiful tree.
My body and all its parts transformed – nourishment for the trunk, the branches, and the
leaves.
Then carried away by birds in the bellies of bugs.

DEATH Poem: It Costs Two Heads, by Dayna Brown Dolan

Probably gonna be towheads she says
Nana had been waiting, urging,
Dare I say praying for this day
Two beings from one big bang
Done in an office sterilize
White and pink stiff sheet
Half over knees
D/raped
Feet resting in horse shoes
Waiting for the reassuring sound of gallops
That don’t come from horses

But he came, and we came here,
And we were there~Still.
We made the adjustments
We did the things
Followed the mustn’t and must do’s
And two little dots
Dueling little beans
Little beams of light
Two heads floated off on a dream instead.
Gone Silent.

DEATH Poem: The autumn we survived, by Shelly Bhoil

(in remembrance of family and friends gone during pandemic)

Pandemic – the human tree in a deep autumnal phase
shedding what wasn’t dated, what was yet to be
and even what was not to be

our conventions of un-belonging to places
where we truly belong are but shallow
(the lotus in the mud isn’t no mud in the lotus)

lest we fall in the pit of nihilism, utterly incapable of
drinking from cup of the ‘wisdom of emptiness’—
the ultimate Shangri-La in its bottom

when fever rises on the forehead, the moon lights up the valley of
lost memories haunted by echoes of songs in language of
a civilization long wiped off from the face of earth

gradually we slip under the duvet of night, and when comes mother death
licking our wounds, caressing us to sleep, we bend around and cross
ourselves in the ever-gyrating cycle of our amnesic lives

DEATH Poem: Grief (Fresh ed.), by Ivee Baker

I shed my skin
The pain left
in shriveled
crinkled
apricot curtain trails.
I hobble down the aisle,
reluctant,
over the thresholds
of time,
of growth.

New skins shrink.
They aren’t as worn
as the old
withered, tethered
familiar ones.
They are tight,
bloated,
ready to burst
blisters

Molting has left me naked.
Bare and shivering and pink,
a vulnerable jelly mass,
as durable as rotting flesh.
I sink into the new,
but it is so heavy;
it surrounds me
swallows me asunder,
slipping into
a subterranean tube,
and suddenly i am lost
in its labyrinthine,
new,
overwhelmingly alien
depths.

my lungs ache
burn
screaming
and dirt fills my throat;
the sand scrapes
granular streaks
as I’m force-fed the

New:
an anxious, incendiary
burnt eggshell path.
I don’t have time for the old.
I’m so deeply drowning
in the quicksand,
the gelatinous
viscous molasses
of ever-evolving new,
the old is occluded
(above ground)
(above me)

I cannot feel
solar warmth
on my lowly fingertips.
The gleaming old,
its painfully golden beams,
cannot penetrate
the thick
gloopy
pool of new.

DEATH Poem: SCENT, by Mandy Brauer

They met when they were in college.
She was immensely attracted by his maleness
and that he never used aftershave or cologne.
He reminded her of a well-oiled baseball glove,
of a freshly ironed, heavily starched shirt.
When he was tender and loving, he smelled safe,
like her father walking with her in the Maine
woods after her alcoholic mother locked them
out of the isolated farmhouse called home.

When their daughter was born, he was ecstatic,
reeking of pride, relief and the smell of cheap
cigars with pink bands that he passed out
to everyone in his exuberance.
As their daughter grew into adolescent radiance
she gave off an aura slightly fruity and mysterious,
faint and promising but not yet matured.

At least once he had another woman and guilt
gave off an odor like a huge fish that had been
left on the banquet table a little too long.
She always knew when he was angry by a sourness,
like the garbage can after the bag had broken and
decomposing rotting food congealed on the bottom.
As he lay dying she was surprised to find that
he smelled dry and sort of musty but not at all
unpleasant, like her grandmother’s clothes closet.

The undertaker covered him with a musky perfume
which bothered her almost more than his death
but she managed to feel better after she found
an old shirt of his in the back of a drawer.
It smelled faintly of him, something she never fully
appreciated until the shirt took on her scent
over time.