DRAMATIC MONOLOGUE Poem: Thief in the Morning, by Connor Ballard

Last night I had a dream of my younger self, greased black under the eyes and used and oily after an American football game I remember playing in high school. It was the last game of the season, and in the last quarter I ran back a kickoff for something of about 80 yards in a straight and unyielding sprint through midfield frenzies tugging at the jersey. My dad is a proud father in this moment and I see the prophecy of this American football prodigy. He has done what has been the incipience of greatness for many in this sport. Further than that he has performed a desirable trope of the ideal young American man and son of the blue collar father that has been in all the movies and magazines and books and platitudes of early or soon to be father gatherings. It is a beautiful fulfillment, direct and congruent. The echoing of this congruency meets its disembodiment in a phone call back to the father years later. The son has told the father that he is dropping out of a prestigious film school and he is met with the low bitrate, gurgling sobs of his old man explaining his own visions of his son’s success and godly figure shining down on them.

Here is the moment I destroy the sureness not only of my old man’s pride but my own. I
no longer know what I am doing.

I wake up a thief.

DRAMATIC MONOLOGUE Poem: “You”, by Alan Contreras

The “you” that never was,
Now lives only in my memory,
And soon it will be simply a forgotten reverie.

How I wish our time united,
Would have turned into a great love story,
But in the end it just imploded like a star in silent fury.

I held on tight to a vision of “you,”
That was only ever my enamored theory,
Dressed in unabashed admiration, and blind sensory.

But “you” never were.
That “mirage” of you was only ever within me,
Dressing up the truth with lustful ecstasy.

The tender life we shared,
Filled with love and care, all a ploy.
Seemingly, to me, just another moment to enjoy.

We confessed our sins in bed,
Our desires to be wed; not in Spring, perhaps in May.
But that too was just something else said before you went away.

Now I sit and write of “you,”
This jagged prose silently.
Not as often as before but I still remember “you” joyfully.

“You” may never have been,
The person you let me see, so eloquently,
But it matters not for truly for a moment I was happy.

Thank you for letting my heart run free with the image of thee, you presented to me, even if it was only momentarily.

There’s a freezer in the McDonald’s basement, by Anya Keskar

I check again, scrolling through greasy fingerprints,
blue light reflecting off the tabletop’s waxy sheen.
No updates. No whisper of a return,
just corporate silence, just the same static menu,
unchanging, indifferent, unmoved by devotion.
The cashier shifts behind the counter,
leans on one leg, cracks gum between teeth.
She doesn’t know. None of them do.

But I remember.

I remember the first bite,
bread bending before ribs that aren’t ribs,
meat pressed into an idea of something whole,
soaking into my hands, thick, sticky,
like I could press my palms together and hold it forever.
Barbecue sauce curling in the creases of my knuckles,
the tang of pickles cutting through the weight,
onions sharp and white, scattering, slipping,
like they too knew this was fleeting.

It was real. It happened.
A whole season with it, a world where it existed,
where I could wake up knowing it was there,
waiting, reliable in its impermanence.
Like how summer feels endless
until you step outside one day
and the wind has shifted,
leaves already crisping at the edges,
the sky just a little too pale.

They say it’s seasonal. They say it’s special.
But special is just another word for something
you can’t have all the time,
something rationed, hoarded, dangled like a trick,
like a friend who only calls when they need something,
like someone who holds your face too gently,
whispers too softly, then disappears into the crowd,
leaving only the echo of your name in their mouth.

I glance up at the menu again,
as if the letters might rearrange themselves,
as if someone might come from the back,
wiping their hands on an apron, and say,
“Wait, I think we’ve got one left.”

They won’t. I know they won’t.

Still, I imagine it.
A paper-wrapped miracle, warm in my hands,
the weight of it pressing me back into myself,
anchoring, real.

I should leave. I should stop waiting.
But I sit, fingers tracing the edge of the table,
pressing into the plastic, wishing for indentations,
wishing for proof that I was here.

She sighs, tilts her head toward the kitchen,
vanishes behind the swinging door,
and for a moment, the universe holds its breath.

Then—
the creak of a fridge door yawning open,
the static pop of a glove snapping on,
footsteps, urgent, deliberate.

The cashier reappears, hands cupped like an offering,
a single paper-wrapped relic balanced in her palms.
“Lucky day,” she says, monotone,
like this is nothing, like I haven’t been waiting,
watching the days pass in mustard-yellow fluorescents,
the void of its absence widening.

I exhale. Nod too quickly.
Reach out, fingertips just brushing wax paper,
just feeling the warmth of it-

and then.

it slips.

A slow-motion tragedy,
gravity reclaiming what should have been mine,
the wrapper sighing open midair,
peeling back like a wilted flower,
a sacrament unraveling before it can be received.

The meat patty slaps against the tile,
a wet, hollow sound,
barbecue sauce blooming outward,
a Rorschach of longing, of almost, of never meant to be.

Pickles skid, rolling into shadows,
onions scatter like frightened birds,
the bun, once whole, now split,
one half rocking on its side, dizzy, lost.

The cashier clicks her tongue,
stares down at the wreckage.
“Damn,” she mutters. “That was the last one.”

I want to scream. Want to gather it up,
press it back together, reshape what was ruined,
convince myself it could still be whole,
still be salvaged, still be mine.

But I just sit back down.
Watch as she scoops it into a trash bin,
hands wiped clean,
already forgetting.

And I am alone again,
nothing in my hands,
nothing waiting for me.

I stare at the bin, at the crumpled wrapper,
the smear of sauce glistening under fluorescent light.
No one is watching. The cashier has moved on,
taking orders, laughing at something I can’t hear.

It’s still warm, probably.
Still the same sandwich I waited for,
still mine, if I want it enough.

I glance over my shoulder.
The fry machine hums, a milkshake whirs.
No eyes on me, no witnesses,

How low am I willing to go?

DRAMATIC MONOLOGUE Poem: Who Isn’t, by Elizabeth Wadsworth Ellis

Who isn’t a poet?
Nowadays we have opened the act and the actor to writing,
to spiel their proverbial guts about any and everything hoping to be creative, original, innovative and worthy of our listening attention.
By this definition a truck driver is a poet, alone in cab-thoughts running through his brain while he watches both the curves on the pavement, and the other drivers he despises and considers idiots. In his cab (he maybe owns or leases) he is hired to haul tractor the corporate’s trailer.
“Just do it!” the boss man says, the one who doesn’t give a damn unless delivery is late.
He delivers. He is a small figure of thoughts embalmed in a large world full of the countless other vehicles.
Does his wife listen to him when he gets home?
Does he leave his trail of thoughts littered along beside the Interstate highway debris?
Does he write them down?
His poetry rolls slick off the tires, onto the tar, somewhere in Ohio, or Wyoming.
What to do with his life lived, a life no one else could read as it unravels from the dotted
Interstate lines, but I promise you he is a poet. He’s got plenty of thoughts despite the fumes of the diesel fuel. His poems spill to hot pavement and like oil
dissipate.

DRAMATIC MONOLOGUE Poem: Thirty Pieces of Silver, by Anthony Kruegar

(this poem is meant to be read aloud)

Addict in the attic
Prolly drinkin’ Kraken and Jack wit’
Daniel in the lions den in the back of my jacket catchin’ dust and heavy rust as I’m smacked wit’
Demons and dragons
You know I had to grab that dagger and stab it.
I let it have it, as it, spits fire and gases
My dark side to reek havoc
You know how them egos be havin’ people in tragic situations
Sittin’ and waitin’ for venom to leave they denim ‘cuz it entered wit’ hatred!

betta stop the thangs you do

Na I can’t stop.
Lights dim, door locked. Hopin’ I don’t hear no door knocks.
And it’s 2am in the bathroom, the mirror reflectin’ the image of a bad dude, tattooed, past 2
years been a battle.
Let’s get deeper reader.
It’s nice to meet you reader.
Nowadays people don’t be readin’ so it’s right for me to greet the ones with speakers.

*snorts line of oxy*

Yea yea yea…come on come on…
Feel the burn, feel the burn!
I cant help it I need it.
She intrigued wit’ the teasin’
She love me so deeply.
I led her to my letter and let her read it,
We’d get, so lost in the secret that the world didn’t mean shit.
Na it ain’t mean shit man.
Me and her.
The bees and birds.
I know its cold, but these the words.
Describin’ a guy wit’ a problem inside em’ he prolly could fight it but not when he’s high bruh.
I swear I’m invincible try me!
Muhammad Ali, wit a Shotty, and I don’t need no gloves trust I be in that dark corner in the
party.

Nigga.

Ay man how come everybody out here actin’ man? Like you perfect, like you ain’t got no
problems even though you hurtin’.
Deep inside like…beneath the pride right?
Man I aint even talked to my mama in a little minute man…damn near like a month man!

you really don’t care.

Yeah I don’t care. All my belongings is jammed in the trunk man. And ol’ girl left me!
Pastor talkin’ bout man that’s just God tryna’ test me.
Fuck! I need some more pills man.
Hol’ up…hol’ up, man hol’ up…here we go, here we go.

*snorts line of oxy*

oh yea, oh yea..I’m startin’ to float yeah!
White homie talkin’ bout man you ain’t felt nothing till you had that coke man!
But I hear a
Voice getting nearer

ay man what would your momma say man?

Don’t worry bout all that man, this me, I’m free! I don’t need you in my ear talkin’ bout all that man. Any ways man who you posed to be ?! Tryna get close to me, coachin’ me, tellin’ me who I’m posed to be?!

Man you whylin’, man you whylin’.

Fuck! I ain’t got no more pills man. *hits table*

Hol’ up…I think it’s some Oxys in the closet, pass the skeletons it should be a orange bottle wit a black marker on it.

Oh yeah…you know I gotta’ have it, I went to the doorknob and snatched it. Tripped over a
shawty I used to fuck wit’. I had to drop her ‘cuz I already had enough shit that I was stuck wit!
Down in the corner I found my damsel in distress.
I told that voice in my head that I can handle the rest.
I sat on the couch, used my UNCC id to turn it to chowder I’m yearnin’ for powder!
Oh yeah…oh yeah. I grabbed the Mcdonald’s straw, stabbed it
Man this don’t involve anybody but me and you.

*snorts line of oxy*

She don’t want you man, come on now.

You ain’t got to want me man, but I love you though.
That’s right.
I love you.
I said I love you.
You hear what Im talkin bout?
I said I love you girl!
How many times I gotta’ tell you not to leave me girl?!
Stop actin like you don’t need me girl!
I been callin’
I said I been callin’
You know what man? Fuck you man! And bruh!
Yall can have each other but don’t stand up and clap when you found out I done manned up!
I guess I ain’t good enough in your eyes huh?
I only lied once.
Its all good though. I got shawty right here and she treatin’ me real good yo.
Oh yeah, ay bruh…
You betta’ do ya thang man.
You betta’ go head and cop a ring man.
Don’t be like me.
A winter tree.
Thirsty and vacant of leaves.
But in the mean time…in these rhymes, you gon’ see why I need god!
They say the devil recognizes his own…
Find what you love and let it kill you right?
But should I?

*snorts line of oxy*

oh yeah…oh yeah. (laughs)
Attic in the attic…(laughs)…find me drinkin’Kraken

DRAMATIC MONOLOGUE Poem: To Love a Man, by Robyn Arrington

To love a man
Means making myself smaller,
Fragile,
And impotent.

It’s like a dominating figure cutting off my wings
mid-flight,
Or
like an anchor keeping me stagnant in wavering
waters
Or
A looming dark presence that has me scraping
the ground as i walk

A raging bull locked onto my innocence,
Parts of my mind underfed just to keep him
happy,
Where intimacy always ends in me giving in to
his needs—
To conquer every part of my body as if he owned
it,
And leaving it tarnished, not just with his hands,
but his words.
Whispering a sweet melody that ends up

suffocating me by the time he finishes.
Sex is nothing more than a dirty deed that only
has his signature on it.

He doesn’t seek to possess me, but to dominate,
To drain me of my life essence.

His lips are stained with a dark blue hue of ripe
fruit.
When we kiss, he definitely leaves me more blue.
Looking in his eyes, I see a future of unkept
promises,
roaring unknowns,
a lifelong clock ticking in silence.

So, to love a man is unknown to me.
I seek freedom.

POLITICAL Poem: Ode to a Pandemic, by Mary Ellen Humphrey

We’re all going a little crazy
Slowly, day after day after day
The new vocabulary: quarantine,
Isolate, PPE, social distancing
Daily Death Count
Rumors of vicious variants
Covid 19 – SARS

It brings out the best in us
And the worst
Our strength and our weakness
Our true metal, whatever that is

I’m not sure anymore, if its internal or eternal
My dialog, my words are my companions
How do you rebuild the invisible?
Safe is an illusion
we sacrifice so much to be safe
our sanity

Is this mother nature’s culling?
Big questions to ponder in quiet isolation
Was this just a dress rehearsal?
Will we ever be safe again?
Will the pandemic ever really end?

POLITICAL Poem: Before the Election, by Emma Paris

I hope you lay down your yoke of pride, and of shame.
I’m praying that you think of your own family and of
every other family sitting in front of history. I hope you
walk to the polls in your blue shoes, tapping out a song
that calls to your neighbors and children and service
workers and teachers. I hope you take hands with all the
mail deliverers and clerks and secretaries and I hope you
drag your bank and your hospital with you down the polls.
I hope you think of little kids out there, translating for their
parents as the results roll across us in waves. I hope you think
of the crickets in your yard. And every single bird you’ve
heard sing. As well as the scummy dogs on the streets and
spiders spinning webs in unknown corners. I hope you breathe
like a tiger, blow out a fire with your tongue. Twist some
fingers around the pen and draw a future that has room for
another after it. I hope you forgive yourself. I hope you change
your mind. I hope you think of your children or best friend’s
kids, or the kids you see on the bus every day to work. I hope
you think of cities full of women and fear. I hope you think
of the moon. I hope you feel grateful, and astonished, and I
hope you lay down your yoke and your blinds too. I hope you
read the news, and I hope you imagine yourself in other colored
shoes. I hope you feel moved. I hope you watch with tears and
tell everyone you know. I hope this doesn’t break you. I hope
you think of the boys who play basketball on your street, or the
cats that howl like pup coyotes in the city darkness. And I hope
you think of jellyfish squirming in cloudy water, and baby elephants
speaking like gods. I hope you care. Above all, I hope you care. I
hope you did your research and I hope you’re thinking about the
future every day. I hope the whispers coming off the lips of angry
women haunt you. I hope you think of the wolves of isle royale. I
hope you think of the men stuck on the moon. I hope you think of
the cost of frozen peas. And I hope you think of the artists. I hope
you love flowers. And I hope you love them enough to keep them
blooming. I hope you bring your heart with you when you vote. I
hope you write your name in the dank soil and your mama’s blood.
I hope you lay down your yoke of fear and guilt. I hope your
ancestors watch you as the paper is counted. I hope you think
of little girls with eating disorders, and tall ambitions. I hope you
think of little girls with coily hair, and tall ambitions. I hope you
think of little girls drinking their medications with tall ambitions.
I hope you think of little girls waking up cold with tall ambitions.
I hope you think of little girls with babies on hips and tall
ambitions. I hope you think of little girls who are actually tall
mountains, anchoring a family without dock to rest in. I hope
you think of mountains. I hope you circle the well and toss in
pennies. I hope you lick off your selfishness and throw off the
reins. I hope you lay down your yoke. And instead welcome
the runny yellow yolk and let it spell out survival. And I hope
you think of sick kids, and hopeless kids, and underprivileged
kids, and orphaned kids, and those kids in Palestine buried under
war. I hope you think of eagles. Real eagles. Swooping to catch
prey and feed the young. Real eagles that nest within your industry.
Shot down by capitalism. I hope you think of poor moms, working
fathers, single parents, the mentally ill, and I hope you think of
the plague. Which one? I don’t know. I hope you think of your
hatred of violence and I hope your eyes are unclouded. I hope
you sink into the river and return with honest passion. I hope you
think of your mom. I hope you think of snow. Of cottontails. Of
stars. Of Audre Lorde. Of the academics. Of justice. I hope you
think of your communities. I hope you think of the ocean. Of
metapopulations and meteors and metros and metaphors and
the absolute metaphysical. I hope you think of schools, of
white pines and yews. You should think of a mother’s grief, of
kids with weapons in hand. Handed guns like candy, handed
bombs like goodnight kisses. I hope you think of kindness, of
women who rub each other’s backs as they break down watching
the blue screen turn red. Of parents who don’t tell their children
until morning. I hope you cross all your t’s like women crossing
state borders to save themselves, and dot the i’s like blotting up
tears from the page, and spell it out big across corporations and
industries that use the body like a gear, puppet, expendable
resource. Spell it out big and clear, and slip it in the ballot box.
I hope you know your existence is a political movement. I hope
you know that’s not enough. I hope you dream of meadows and
lace and anger and beauty and ghosts and lovers and insects
and daughters—I hope you think before the election. I hope
you feel.