POETRY Reading: THE CLEARING, by Janice Konstantinidis

Performed by Val Cole

POEM:

There was a special place at the end of the orchard, where a small clearing with a clump of young trees, hovered just above the creek. The child loved to come here. She loved the joy she felt when she saw the sun filtering through the wattle trees, the green mosses in the grass, and the bitter smell from eucalyptus. She’d run her hands across the heath bushes, absorbing the texture, and taking in the sight of the perfection of the tiny flowers.
The scene was one she loved beyond her level of comprehension or ability to describe.
Her affinity to the clearing was such that she wanted to be part of it; to eat it, to take it all inside her so she could own it.

Some mornings she’d run to it, taking great care not to dirty her polished shoes, she wanted just a glance before school. At weekends, when she’d finished her chores, she could stay longer.
Some days, the early frost lay white on the moss, steam rising from the tips of the leaves as the sun warmed them. The child would look in wonder.

Afternoons in spring, were a source of amazement to her. The wattle was a glorious yellow. She watched as the sun caught the color’s refractive glow as it shone on the new spring flowers.
Other times, in the summer, she’d lean against a tree in the clearing, peeling off the bark carefully, crisp in her small palm, yet yielding to her touch.
The bright pink wild fuchsia which grew all along the creek bank, caught the sun’s rays as it filtered through the canopy of the higher trees. An abundance of watercress waited to be picked by eager little hands.

In the dead of winter, the child braved a walk to her clearing in rain boots, squishing her way through the mud and deep undulations left by the tread of tractor tires. It was hard going. The sleet beat against her small body, plastering her hair on her head, the wind chilling her to the bone. The rain and wind played havoc with the trees, bending them over, their branches whipping her, as she scurried under for protection. The roar of the creek was loud, the waters high and dangerous. Once, she saw a dead calf caught up in the debris. She felt disgust and fear at the sight of it.
When the weather at the clearing was fierce, she drew strength, understood the relentlessness of the seasons; admired the bravery of her clearing as it stood firm. In spring, her breath stood still in her throat, at her first glimpse of her trees, cloaked in a mist, that was as damp as the tears in her eyes. Shivering, she touched the leaves, at times licking their moisture. The quietness surrounded her, blanketed her, bringing a feeling of peace she seldom felt.

She loved the times when she lay still on the moss on the ground. Birds landed on branches, oblivious to her. She became one with the clearing. The bird’ s chatter pleased her; sometimes she’d stifle a giggle at her daring. She’d watch as they rubbed beaks on her branches, enjoying her hospitality. She was privy to their preening and exchange of banter. Their feathers made a perfect contrast to the infinite shades of green that surrounded them.

The child would think about her clearing at night in bed. A huge surge of comfort would fill her mind and body. In a thought, she was there safe and free.

POETRY Reading: SHAMED INTO SILENCE, by Soyini Crenshaw

Performed by Val Cole

POEM:

Shame, Shame go away I don’t want you any day
Shamed into Silence…
My spirit was dehumanized
Shamed into Silence…
By the words of my grandma “It’s yo’ own fault y’ know mens cain’t control theyselves
Shamed into Silence…
By the hands of my grandma beating ’til I could no longer speak
Shame, Shame, go away I don’t want you any day
Shamed into Silence…
At ten I had a woman’s body
Shame, Shame go away I don’t want you any day
Shamed!
My voice didn’t matter
Nobody cared ‘cause
Girls got touched all the time by their
Daddy
Brother
Uncle
Neighbor
SHAMED!

POETRY Reading: SENSES, by Detelina Stamatova

Performed by Val Cole

POEM:

I see like the sky sees—
Winding rivers, peaks, small bushes, tall trees…
A reality surrounded by all shades of purples and golds,
Humanity held together by unseen yet powerful bonds.
I hear like the mountain hears—
It feels like the air lent me its ears.
I hear echoes of joy and despair,
Emotional struggles we all share.
I feel like the earth feels—
Sharp claws of unappreciation and neglect that sneak in for the kill…
Then deeper… the gentle pull of nurture that ripens and heals.
I taste like the water tastes—
Samples of euphoria and deep sorrow strengthening my ways.
I touch like the world—
In colorful sharp icicles or warm, gentle swirls.
Winter becomes me on its sunniest days and harshest snowy nights;
Fall, spring, and summer follow in my footsteps… feed off of my lows and my highs.
But I see best when I close my eyes that can’t see anyway,
I see the world through a twisted perspective… the way my soul puts it on display.

POETRY Reading: HUMANS DRIVE HUMANITY by Grace P.

Performed by Val Cole

POEM:

I wonder where you are
Wherever you are
The place is beautiful
The place knew an angel was approaching

I wonder what’s your thought
Whatever it reached
That point is now purified
That point got out of trouble

I wonder who entered your heart
Whoever it can be
Love is realized
Love is gaining more space

Our lives drive humanity, even far if we don’t mind
Our lives drive humanity, even far if we don’t mind

I wonder what’s freeing your voice
Some words, one silence
Peace is being built
Peace is the final great winner

I wonder the reason of your last laugh
After which hard game
Joy made a sound again
Joy has always been on your side

I wonder which pain made you a better person
After how many tears
You understood what to do
You understood what to do with your life

Our lives drive humanity, even far if we don’t mind
Our lives drive humanity, even far if we don’t mind

I wonder how lost you have been
What loneliness crossed
Gives the real value to a human’s skin
Gives back a role to this existence

I wonder the name of the war you were in
Which darkness you scared
Makes beauty dancing everywhere
Makes your heart naked and free to guide

POETRY Reading: FROM A TO B, by John Deacon

Performed by Val Cole

POEM:

The snow has just begun to fall
thick enough to leave footprints –
My footprints –
first to mark this snow.
From A where I began
to B where I finished
Mine were the first footprints
to be added by others.

The first love sonnet was written when
a lover at A saw the one
she loved at B
and wrote a poem or a haiku or
some really forgettable prose
and a family was born.

Someone else at A
saw someone hungry at B
and brought a sandwich
made a place at the table
opened a restaurant
or a food bank
and a community was born.

Others at A saw a people
oppressed at B.
So they crossed over to stand with them
and brought their poetry, their food,
their voices and
their solidarity.

New sonnets were written.
New lovers embraced
New resources were unearthed
New creativity inspired
And a movement was born.

When A is where we are
and B is where we could be
where the homeless are housed
and the hungry are fed –
The bridge getting us there,

inspiring sonnets
and families
and meals
and wide tables
and communities
and solidarity
and movements,
and encountering
resistance,

Is Love.

POETRY Reading: ARBOREALITY, by Martin Cox

Performed by Val Cole

POEM:

Standing in Line. Eyes front.
No acknowledgment. Robotic recruits
Uniforms pressed. Knife-edge creases.
Summer sunshine. Corona causation.
Shoes shone. Reflective leather. Bows tied.
Tarsal protection. Cobbled, with a mirror image.

No one speaks. Wordless. Mute.
Personal thoughts? Dubious!
Typical English. Restrained. Controlled.
Vehicle now approaches. A two-tiered behemoth.
Military Green-hued. Land-locked missile.
Troopship travel. Ever advancing.

Rubber eating asphalt. Esurient bugger!
Be-capped captain of the vessel, front right aligned.
Serious, concentrated. Steers to our loading bay.
Shuffles begin. Slow, but steady as she goes.
No smiles, no colloquy. Simply shuffles.
Tuneless accordion doors slide open.

Onboarding. Pass showing protocol.
Welcoming officer, cold. Indifference abounds.
I bid him “Good morning, Sir”.
A practiced scowl retorted. Disparaged.
At last. Now, as one with the tacit team.
Herd comfort. Recognition. United.

Conquer the stairs to level two. Privileged deck.
Seating rare in this terrain. Semi extinct. Scoping panjandrums.
Hunters all. Survival of the fittest. Perchance
Target identified. Crosshairs locked on. Homing in.
Document case launched. Laser accurate. 
Target secured. Touch down. Seat meets seat.

A window glance confirms movement. Forward motion.
Speeding. Burning gas. Ice caps thawed. Globe warmed.
A juggernaut hurtling. Chasing time. Mach 1.
Soon be there. Raging anticipation. Pulsation. Momentarily.
My private happy place. Mon endroit heureux.
Secrets to be shared. Jointly enjoyed. Canopied euphoria.

Emerald canopy infiltrated. A virtual, verdure veil.
No others stir. Oblivious to nature. Unseeing. Unappreciative.
Sunlight on dappled leaves. Rays converse. Au Courant.
Morse code messaging. Covert contact. Mine alone.
I revel. This is MY time. Although time’s halted. Frozen.
Enter the single Silver Birch, stoic in a realm of Horse Chestnuts.

That Betula Pendula taught me so very much.
We communicate as I glide by. Subliminal sign on.
Actual logging in. Mental discourse
I query if he is sad, lonely.
“Alone, but not lonely!” He continues.
“You visit, Flora and Fauna drop by, the sun, the wind…So blessed”.

Certain about the canopy?
“Absolute certainty. It’s the pain”
Trees do feel pain?
We accelerate past. Strain for the last words.
Glimpse skyward. The sun still messaging.
No branches touch the top of our vehicle.

Words float over the engine’s roar,
“Yes, we all feel pain”.
“We all feel love. Like you, we avoid the Via Delorosa”
Over and out. Communications link lost.
Until tomorrow. Jusqu’à demain mon ami.
A smugly smile steals across my face.

Eyes tight shut. Blind celebration. Yes!
Virtual high five. Fist bump fantasy. Ultimate pctureless selfie.
Ephemeral ecstasy. Cerebral celebration.
Furtive observation. Other travelers oblivious.
My secret secure. Locked up tight.
As tight as a very tight thing. Key concealed.

Terminus looms. The canopy, a rearview mirror throwback.
Glorious morning. Another miracle. One of many already today.
Cradled once more by Mother Nature. With absolute proof.
Loneliness is a mental state. Alone, exclusively physical.
Disembarking. Stepping out. Eyes peer heavenward.
Pupils contract. Gratitude expands. Thankful.

Thankful I have learned all living things have feelings.
Thankful for complete acceptance. To be trusted. Intimate inclusion.
Meandering through the milling throng. Trudging. Diluted enthusiasm.
To the daunting building on the hill. A bastion of cruelty.
Supposedly of learning. Dark, foreboding. School.
A manifestly different journey ahead. Purely, a real mental state.

POETRY Reading: DREAM, by Acquanetta Moore

Performed by Val Cole

POEM:

the dream
the reality
the ghettos
the insanity
the inhumanity
look at the world’s state
poverty
look how power rapes
could I take
dirty water under
the poorest living conditions
still praying, hoping, wishing
dreaming of that new day
dreaming of equal opportunity
how can I not cry for the world
look at everything it’s doing

POETRY Reading: DIVINE COMEDY, by Ron Kolm

Performed by Val Cole

POEM:

Let’s take a walk
You said.
Okay, I said.
And here we are
High above the East River
On a pedestrian walkway
On the Triboro Bridge
Hiking from Astoria
To Randall’s Island
As rush-hour traffic
Streams by.
I hate my life
You say.
And I know
You’re not joking.
I wonder if you’re
Thinking of jumping
And what I would do
If you did.
It’s a long way down
To the tug
Pushing a barge
On fiery waters
As it disappears
Beneath the bridge.
Should I grab
For your arm
And probably die too
Or simply admit
I want to live
And let you fall.
It’s late afternoon
When we finally reach
Our destination
Descending a cement
Stairway that deposits us
Onto a parking lot
Near the Manhattan
Psychiatric Center.

II.

We’re both too tired
To turn around
And walk back
Over the bridge.
The only other exit
Off this island
Is a narrow
Pedestrian overpass
That connects it
With Manhattan
But to get there
We have to cross
The grounds of the
Mental institution
And blocking our way
Is a guard in a booth.
You’re reporters!
He shouts at us,
Trying to do
Another fucking expose!
No, we protest,
We just want to get back
To the city so we can
Take a subway home.
He pats us down
And searches our bags
Then grudgingly waves us on.
It’s early evening now
And large bright lights
Come on, illuminating
Everything surreally.
We can clearly see inmates
Through plate-glass windows
In 1ow, ranch-styIe buildings
Watching TV.
If it weren’t
For the barbed-wire
You’d almost think
We were in suburbia.

III.

Beyond the last building
The underbrush thickens
And the asphalt path
Is cracked and broken.
It’s pitch black —
A hot, humid night.
Indistinct shapes
Dart into the bushes
In front of us —
I take out
My Swiss Army Knife
All two inches of it
And flick it open
Just in case.
And, like that
We come upon
The other guard booth
Burnt out
And abandoned long ago.
I’m not feeling too good
But you grab my arm
And motion
To a string of lights
Rising above the trees
And I realize
It’s the footbridge.
As we step onto it
We’re almost swept away
By a wave of humanity
Swarming from Manhattan
Onto Randall’s Island —
A never-ending procession
Of shopping bag ladies
Sneaker kids, junkies
And sodacan collectors —
And we the only two leaving
Tired and relieved
And even perhaps vaguely
In love with each other.

POETRY Reading: CLARITY, by Arden Lassalle

Performed by Val Cole

Poem:

If only I could see

with a mind without

Distractions.

what would I see

would I see me

what would I do

would I take a knife

and then take a life

would I see

clarity

Would I be

Free

Or are the distractions in our

lives the only thing keeping

us : alive, awake, moving, and Breathing

I Care not to Care

but by not going there

Am I impaired?

a Pair of pears

leafy limbs, barky trunk.

dangling tucked

Together

the two

Their branches Bonded

and

the

Bonds of time

simple as a pear

unravel when we Sleep

we escape

Reality when we sleep

Why steep in sleep

Revel in a bottle

waggle and wiggle

giddily giggle

Your awake,

drown

Your senses to sleep

Don’t Be Weak

Don’t Sleep

Keep to your feet

Drink and you can

Sleep Then

Forget

I forgot if it was

worth

Remembering

anyways.

Is any of it?

Worth anything?

at all?

Read Poem: A GLIMMER OF HOPE, by Kim Hicks

Can it be true? Or, is it a rumour?
Boris has said we can come out sooner!
don’t hold your breath but could it be happening?
Is it to stop the economy collapsing?

Can’t even begin to hope it’s true
After everything we’ve all been through
we may be back to normal by spring
before we are well and truly unhinged

What do we do? How do we act?
are the odds against us stacked?
Can it ever be the same again
No one is certain a 100 per cent

we’ve been a long time in isolation
with no human contact or conversation
will have to learn new social skills
and come off all our anxiety pills

We’ll never forget the start of the twenties
Panic buying and toilet roll frenzies
The incredible science behind our jabs
Working wonders in their labs

It makes you wonder did this actually happen?
It’s hard now really to imagine
Pfizer and AstraZeneca the big tech brands
Our lives literally in their hands

We’re now getting jabbed in all sorts of places
Sharp eager eyes behind masked faces
So very lucky we live in a place
affectively saving the human race

This strain is bad enough – it’s been stated
It’s the new ones coming which have mutated
If we don’t eradicate it from the face of the earth
I feel the fatalities will be far far worse

we now see the light shining at the end
It was hard at first to comprehend
we have to wait – it’s been really tough
that day can never come soon enough 💕