Poetry Reading: I WONDER, by Philip Brent Harris

Performed by Hannah Ehman

POEM:

What would I do with me, without you?
Do any of us know what might be true?
More than I was, less than I have been,
A part of me missing, no nib in my pen.
Scratching at life, yet, leaving no mark,
Like rubbing two sticks without a spark.
Words are too weak, should I just quit?
Is your sacred fire what keeps mine lit?

If my dreams fleeting, passing clouds;
Will I know wisdom before my shroud?
Sewn into canvas, dropped into the sea,
Buried to nourish a newly planted tree.
Life into death into life, still unknown,
Must know the next life is still our own.
I wonder, the future is all wait and see,
What will you do with you, without me?

POETRY READING: Once Upon A Crooked Time….., by Robert Drusetta

Performed by Hannah Ehman

POEM:

There was a crooked man
Who had a crooked home
He had a crooked fence
And had a crooked gnome

He had a crooked garden
Which people came to see
Have you ever seen a hedgerow
Zig-zag past a tree?

You need a crooked key
To get inside his house
Else no-one can get in
Not just his crooked mouse

He lives all by himself
For he never found a wife
He’s not rich or famous
But has a happy life

In his lounge he sits
On his crooked wooden chair
It’s such a perfect fit
You’d think he wasn’t there

He reads when in his chair
Exciting crooked books
It may sound quite simple but
It’s harder than it looks

By his crooked fireplace
Sleeps his crooked cat
Curled up warm and cosy
On her crooked mat

When he cooks his dinner
On his crooked stovetop
He doesn’t spill a thing
Not one crooked drop

In his crooked attic
Above the crooked stairs
Ornaments are abound
Antiques and crooked wares

Nearby is the market
Where he does his shopping
One day he stubbed his toe
And went home crookedly hopping

A quick walk down his street
Was a challenge in itself
He’d be heading straight for you
Then bump into someone else

He goes to work each morning
Driving his crooked car
He bakes bagels every day
For people near and far

He loves all crooked food
Jellybeans and bananas
Crooked cucumbers daily
Cashews and cabanas

His favourite sport is hockey
On grass or on the ice
Or to throw a boomerang
And catch it once or twice

He said when he retires
He’ll sell his crooked house
And move out to the country
With his crooked cat and mouse

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Ryan Haines, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch

POETRY READING: The Legend of Morven Mere, by Keith Johnson

Performed by Hannah Ehman

POEM:

It was thus in the time of siege and famine:

A poor farmer sold his little daughter

To the asrais and nixies of the mere

So that the harvest might not fail again.

Then the farm prospered and all were fed

So no more was thought of the bargain

Though the reeds at the water’s edge

Sang of the prize that was expected.

And Meggan, growing fair but also strong

Took to ploughing with her horse,

Coming on her sixteenth birthday

To till the rich silty fields by the lake.

It was springtime and fine weather

And she and her horse Meadowmane

Worked quietly from shore to headland

As the gulls followed the turned turf.

On a start, a milk-white charger appeared

Its golden mane and tail flashing in the sun

Its dappled flanks afire with rainbow flecks

Snorting and prancing in courtship and display.

‘I know you Brookenhorse’, said the girl

‘The mount of Jenny Greenteeth Grindlelow

Sent from the dark depths of the mere

To claim me as a prize for the tarn-hag’.

Then the enchanted stallion came up

And nuzzled Meadowmane on the cheek

Nipping the old cart horse on the neck

At which the Brookenhorse shape-shifted

And took up the plough collar and traces

Heaving the ploughshare and coulter

With such force that the task was soon done

And the meadow seared with perfect furrows.

At which the Brookenhorse bolted for the lake

Taking with it both the plough and its mistress –

And she trapped by the reins that she had wound

To the handles was dragged beneath the water.

‘Welcome my beauty’ said Mother Grindelow

‘You my drowned princess are my catch now

Take up your deathly pallor and sleeves of green

And sing with us amid the mere of midnight silver’

‘I have my prizes now – my temptress Morgwen Fey –

And the sharp steels of the foreshare and coulter

With which to forge a sword of endless enmity –

The enchanted plough become the stuff of strife’.

But Meggan shunned the hell-bride and her watermaids

And dreamed of the bright spring meadow flowers

And the warm sun and scent of heaving Meadowmane –

Finding at last the Brookenhorse in its watery stall.

At which it flared its nostrils, reared and stamped,

Abject in its thrall to the monstrous Borrag Queen,

Now become once more an ancient broken steed

Mere knucker bones and hide, bleached by the depths.

But Meggan wept that it had lost its rainbow glimmer

And placed her arms around its neck in comfort

Reaching to her kirtle purse to find a scrap of bread

That she had kept to share with Meadowmane.

At which the Brookenhorse glowed fine and white again

Lustrous and resplendent in its strength and beauty

And she broke down the stall gate and freed the horse

Leaping to its back as it bolted for the sunlit sky

Seizing the sword of enmity now become destiny

That mystical Cut Steel – Cleft Evil wand Excalibur

Until at last they came to safety and the light of day

Where she became her maiden self with Meadowmane.

And her father threw his arms around her with joy

Lamenting only the loss of his much-loved plough

But handling with amazement the magic sword

That shone among the peaceful fields of plenty.

So in time a knight came, seeking justice and love

And found at last the sword beaten from the share

Taking it up reverently from the Lady of the Lake

Bringing her and her treasured milk-white foal to Camelot.

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Ryan Haines, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch

Poetry Reading: THE YEARNING, by Ken Allan Dronsfield

Performed by Hannah Ehman

Poem:

In a lifetime spent yearning

through which came wishing and dreaming

within many splendid, unquiet enthusiasms

a voice murmured back the word, prayer!

I was needy and you were solicitous,

my mind always straying to paradoxes.

Instead I uncovered brazen devotion,

the perkiness brought such euphoria

and so I screamed, ‘Is that a blessing?’

Mattering and assaultive within theodicy

Urging and purging within my slyness,

shyness or otherness, I could not awaken.

Tossing its ghost into all desires,

‘It’s that barrenness,’ I muttered

Quirkingly back into my memories

craving the eccentric, eclectic fantasy

the yearning, an essential evanescence

an evolutionist laughed at me in retort.

‘It’s that piety,’ I whispered.

The saintliness simply smiled.

Read Poem: WHAT TO GIVE UP, by Bee Smith

Just give up your fear for Lent this year.
Hold up your hands.
Surrender your terror.
Feel the bands of panic
loosen in your chest.

I know. I know!
It’s not the best of times.
But just think about all those
forty days without your silent fear.
Better than cutting out the beer
or chocolate, though
you might think you are
on the path to career suicide
seeing as all these seem to be built
on daily doses of lethal
intimidation.

Think of it as answering
the hero’s call in the desert,
braving storms, fighting demons.
Accept no imitations.
No cross would be too hard to bear,
no thorny shard would prick your resolve
to its conscience’s very quick.

You’d shrug off tax demands,
VAT, NCT, and all those other levies
apocalyptically breaching the banks of some Mississippi.
Nothing would faze your glacial gaze.
You would be as serene as the fat Buddha
sitting in your garden, all smiley
transcendence of suffering’s meaning.

Is fear the fire in the belly?
Or is it what gets us out of bed each morning?
Does it turn us into rabbits made of jelly?
Or acolytes fawning over bullies,
subjugated by every bellow?

They say the colour of cowardice is yellow.
Or is it the purple of our bruised pride?
Is it more a slow brown stew?
What do you hide? Is it
your leaden defeat and inaction?
The spilt blood of your rage’s actions?
Have you considered Agent Orange’s
decades’ long legacy?
Have you noticed the seeping
of septic envy? It seems that fear
can make up a whole rainbow coalition.

Can you give up fear for Lent,
maybe just for one year?

Bee Smith facilitates Word Alchemy Creative Writing Workshops in West Cavan and is on the Irish Art Council’s Writers in Prisons panel. Her articles can be found widely across the blogosphere. She is the author of “Brigid’s Way: Celtic Reflections on the Divine Feminine” available as an ebook on Amazon. BrigidsWay.

Read Poem: LOST AND NOT FOUND, by Aris Xarchakos

Drinking

smoking

observing life

I am lost in my senses for months

watching the sea for hours

watching the sky for days

burned by the sun

lying in a rock

nirvana

found myself dead

lying in a rock

died like a lizard

lived like a try hard

gone as a lazy rebel

far away

alone in a beach

sand in my body

eyes open without moving

watching blue sky

I am returning where i came

I am free

I am nothing.

Read Poem: WONDERLAND, by Susie Golightly

I’m the new broad in town, so let me introduce myself:
Susie Golightly; been rhymin’ since I was twelve.
I never thought a skinny white girl could rap off-the-cuff.
I wasn’t like the Lady of Rage who rocked tough and stuff.
I used to rap in front of the mirror into my microphone hand,
“Me, Myself, and I,” and “Parents Just Don’t Understand.”
But I’ll never forget that day I heard his whiney voice say,
“Hi! My name is… Slim Shady.”
I was hooked in an instant, drawn to his wit like a magnet.
A lyrical genius, spitting out nonsense that made sense.
I was no longer afraid to express myself.
Had more words in my head than a 40-foot bookshelf.

GoGo Rusha was born, and then Susie Golightly.
Both personas were known to bring life to the party.
Susie boozy slippin’ everyone roofies.
Life was so surreal it felt like the movies.
Sleepin’ all day, slangin’ all night,
higher than balloons, livin’ the circus life.
I’d seen more criminals and crazies than a penitentiary,
realized my life was a waste; too rudimentary.
So, I got out the game and back into college.
Earned my M.A. and gained book knowledge.
Half street – half geek,
could’ve been a cop on 21 Jump Street.

A Girl, Interrupted – my personality disorder: petulant borderline.
I’ve been corrupted, like Tyler Durden, got two beautiful minds –
Call me the Madd Rapper, lost in a land of jibber-jabber.
Fell to the bottom of this hole and I can’t find a ladder.
So, it’s home sweet home in this underground rap pack,
And I’m keepin’ the Beat alive like my hero Jack Kerouac –
Doo be doo be doo, it’s the hepcat crew –
bringing it to you on the ones and twos,
makin’ the scene, livin’ life on the brink.
Droppin’ bomb beats six feet deep,
‘cause society condemns what it doesn’t understand.
Escaped the callous world into this wonderland –
This place is so dope, think I’m gonna stay awhile.
So, pass that hookah Absolem, and let’s smoke some freestyles

~Susie Golightly

POETRY MOVIE: AS MY OWN BREATH , by David Dephy

Narrated by Val Cole

Editor and Visual Design by Kimberly Villarruel

Produced by Matthew Toffolo

After centuries of living with nothing, but my love to you, friends,
I found myself surrounded by the luxury of feelings and I am safe
now, I am alive, I am breathing again, but where were you, my friends,
when I was broken? I am calm now, but where were you my friends
when the emptiness encircled me and I was afraid? Where are the friends
when I need them most? I was yearning for knowledge, but from this
day on, I don’t want to know a thing except for, will I be able or not
to love you again, friends. Maybe everything and maybe nothing that I
have given or maybe not given away will ever be really as mine, as my
own breath? Hello friends, I found you after centuries of living with nothing
but my expectations — our life is what our expectations are. I thank you all.

David Dephy
January 2, 2020

Read Poem: Love Everlasting, by Oscar Wager

A haunting tale of love and life,

About a husband and his lovely wife.

Her life ended in a flash,

She was too young when the car crashed.

After her death, she watched over him,

One day, he went for a drive on a whim.

The car broke down on a lonely street,

It was wintry cold, and the car had no heat.

Some time in the night, he saw the lights of a tow truck,

And he couldn’t believe his wonderful luck.

He flagged the driver to the side of the road,

And asked the cost for the car to be towed.

They hooked up the car and climbed into the cab,

Without another thought of the tow truck’s tab.

When they stopped at the garage, to drop the car off,

Mention of the bill made the driver scoff.

He said the woman that waved him down the road,

Had paid the bill for the car to be towed.

This caused the man some confusion,

There was no woman with him; it must have been an illusion.

When the driver described the woman that night,

She had red hair, green eyes, and was dressed all in white.

The man pulled out a picture of himself and his bride,

And asked the driver if SHE had paid for the ride.

The driver agreed that she had flagged him down,

And she had been standing on the outskirts of town.

The driver took the man to see the exact place,

And when they arrived, he held his hands up to his face.

It seems that the driver had talked to the bride,

In the stretch of road where the woman had died.

“The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely.” — Art of Quotation

“The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely.” Carrie Mae Weems, photographer

via “The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely.” — Art of Quotation